A Quote by Ishmael Butler

Without sounding cliché, music is like air. It provides for me. I don't necessarily look for what I can get out of it. It's a compulsion. I've always gotten out of it everything.
Without sounding too cliche, my part on 'Getting On' is the best role I've ever had. It is so rich, it is so well rounded, and I am happy to be right here. I feel like I lucked out and got one of the richest characters on TV because he is so complex.
I have to say, without sounding like a total tosser, that everything I've learned in life, and that has taken me out of my natural interior life, has been with men. They exposed me to things that I wasn't aware of. I learned from all the guys.
I always try and get one 'good run' in, which for me is about 5 miles without stopping. On most other days, I run so I can get out of the house and catch some fresh air or listen to some music or just escape the world for 45 minutes or so, and on those days, I'll still walk/run.
I don't necessarily look for what I respond to in a script. I look for things that scare me, and take that as an indication that I should probably do it. I don't want to be bored. I look for challenges. I look for a variety of different things because it's so easy to go the cliche route.
It's not hard for me to be honest with my fans because that's what I set out to do from the beginning - I've based my entire career off of just trying to do that for them - but I always kind of forget that my real life friends can hear my music and they can watch my interviews if they want and that's when I get kind of like- "oh..." - I don't necessarily sit down and talk to my friends about all the things that I write my music about, because it's easier for me to write music than to sit and talk to my friends about it sometimes- it's almost like writing in a diary.
I know that I don't look like a footballer but I've always enjoyed working out and I've always been bigger than most people out there. I come from big stock. If you see my brothers and me together, we look like a wrestling tag team trio.
You get the beats. You write to them. You go in the studio and lay it down. Hopefully, a song comes out sounding good. If it comes out sounding good, you put it to the side with the rest of the other good ones, and you try to decide which ones you're gonna use on the album.
Music is not a hobby, not even a passion with me; music is me. I feel what people get out of me is this outlook on life, which comes out in my music. My music is the last expression of all that.
Without sounding too cliche, the Internet really is the birth of global mind.
I personally feel like people shouldn't have to come out. That, to me, was like a moment for myself where I was coming out to myself with, like, 'Okay, I can be the artist that I want to be, and as long as the music is good, people will accept me. It doesn't matter who I am, what I look like. If the music is good, they will like me. The end.'
Look: the trees exist; the houses we dwell in stand there stalwartly. Only we pass by it all, like a rush of air. And everything conspires to keep quiet about us, half out of shame perhaps, half out of some secret hope.
I like to just make flex music. So when I do make emotional music, it's hard for me, because I feel like I'm cliche. But I guess cliche is the best thing sometimes, because it's real.
I'm not very good at sounding like other people. When you're going through your 20's and trying to get a break and that kind of thing, and you're trying to do something that sounds like film music, your idea of what it would be, it never really worked out for me and it's only really when I learned to trust the fact that I could only really sound like me.
I don't ever want to come out with something safe and get away with, 'It sounds good!' It's got to be more than sounding good. The music I like are events.
To me, the best music always comes when - it sounds cliche, but you just try to block out the noise and try to not have any pressure with it and take your time.
Our work on light bulbs wasn't an arbitrary mandate. We didn't just pick a standard out of the air, or look for a catchy sounding standard like 25 by 2025 not based in science or feasibility. Instead, we worked with both industry and environmental groups to come up with a standard that made sense and was doable.
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