A Quote by Ishmael Reed

I think Black intellectuals see too deeply. That's the problem. It's a cause of anxiety, because we see things differently. — © Ishmael Reed
I think Black intellectuals see too deeply. That's the problem. It's a cause of anxiety, because we see things differently.
Surveillant anxiety is always a conjoined twin: The anxiety of those surveilled is deeply connected to the anxiety of the surveillers. But the anxiety of the surveillers is generally hard to see; it's hidden in classified documents and delivered in highly coded languages in front of Senate committees.
I see things differently, feel things differently. That's how I've always been, and that's why I'm different to everyone else. Information: simple. Detail: simple. I just aim to play as if it was five-a-side as an 11-year-old kid. That's how I see it because that's how it is.
I never thought about being the first black actor to win, even though everybody else talked about that. If I stop to think as a black actor, people will see me differently. If I play as a black actor, people will only see that. I think my key was to perform as an actor, not as a black actor. And after winning the Cesar, I was an actor with a Cesar. there are many more adjectives to describe who I am. I'm not only black.
The thing about those conditions [anxiety and depression] that sucks the worst is that you don't address the root cause, so you never see it coming. What's worse is when you don't even KNOW what the root cause is, you can never fix the problem. So that's what's really scary.
Here's to the crazy ones, the misfits, the rebels, the troublemakers, the round pegs in the square holes... the ones who see things differently - they're not fond of rules... You can quote them, disagree with them, glorify or vilify them, but the only thing you can't do is ignore them because they change things... they push the human race forward, and while some may see them as the crazy ones, we see genius, because the ones who are crazy enough to think that they can change the world, are the ones who do.
It isn't that they can't see the solution. It's that they can't see the problem. They can't see the problem if they are looking in the wrong place. They can't see the problem if they have blinders on - for 'none are so blind as those that will not see'.
I think the further away you get from completing a book, the more responses you see to it from readers, the more your own tastes and opinions shift and the more you start to see things you could have written differently in the detail, or done differently on the broader scale of plot and character.
I think it's a little much to expect the organisation to solve the problem of racial parity. We do see a fast-increasing influx of Asians, black folks. I actually see black folks out here, unlike some of our liberal critics.
I sometimes think they should have said 'Black Lives Matter Too,' because that is really what is being said. The outcry is that historically and presently, the feeling is that black lives don't matter as much as white lives because we don't see the same type of things happening to them.
No one ever gets to see Foley artists at work, and they're so strange. They see the world differently: things as things that might make sounds that sound like other things. They see the whole world that way - like when you're a house painter, all you see is a bunch of houses that need painting.
In the child, we see the grown-up. I see the problem differently.
I just hate when things get labeled as "black movies." I don't say, "Oh, this weekend, I want to see an all-white movie," or "I want to see a black movie." I just go to a movie because I saw the previews and I relate to it. I want to see it because the previews look interesting.
An art machine is a system whose parts when put in motion act upon each other in such a way as to cause you to see things differently
Fashion is constantly changing from decade to decade, but I don't see a change in how many black faces I see on the runway, and it's something we should talk about because it's a problem.
I care so deeply about this matter that I'm willing to take on the legal penalties, to sit in this prison cell, to sacrifice my freedom, in order to show you how deeply I care. Because when you see the depth of my concern, and how civil I am in going about this, you're bound to change your mind about me, to abandon your rigid, unjust position, and to let me help you see the truth of my cause.
My first album deals with my anxiety. It wasn't like, to heal my anxiety and by writing an album I'm now healed. It was, here's a sound representation of what it feels like to be in an anxiety attack and that's it. I think we can say the same with image, people look at an image and see a billion different things.
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