A Quote by Ishmael Reed

My work holds up the mirror to hypocrisy, which puts me in a tradition of American writing that reaches back to Nathaniel Hawthorne. — © Ishmael Reed
My work holds up the mirror to hypocrisy, which puts me in a tradition of American writing that reaches back to Nathaniel Hawthorne.
The American, who up to the present day, has evinced, in Literature, the largest brain with the largest heart, that man is Nathaniel Hawthorne.
Nathaniel Hawthorne once said that easy reading is damn hard writing.
The actual American childhood is less Norman Rockwell and Walt Disney than Nathaniel Hawthorne and Edgar Allan Poe.
My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman Melville and Nathaniel Hawthorne.
Maybe it's because I was named for him, but I've always wanted to meet Nathaniel Hawthorne. It's oversimplifying, but all Hawthorne's short stories and novels are, in one way or another, about guilt. Something profoundly disturbing must have happened to him at an early age. I'd like to know what that was.
It's Nathaniel Hawthorne Month in English. Poor Nathaniel. Does he know what they've done to him? We're reading The Scarlet Letter one sentence at a time, tearing it up and chewing on its bones. It's all about SYMBOLISM, says Hairwoman. Every word chosen by Nathaniel, every comma, every paragraph break -- these were all done on purpose. To get a decent grade in her class, we have to figure out what he was really trying to say. Why couldn't he just say what he meant? Would they pin scarlet letters on his chest? B for blunt, S for straightforward?
It's true of so many fiction writers that I much prefer the essayistic work they did, whether it's David Foster Wallace's, or John Cheever's, or Nathaniel Hawthorne's.
Good crime writing holds up a mirror to the readers and reflects in a darker light the world in which they live.
Your biggest influences are the earliest ones. When I was young, I was very influenced by the short stories of Nathaniel Hawthorne.
The best kind of art or writing holds up a mirror to society.
I believe that the (distorting) mirror which is photography holds an intrinsic, even elemental, relation to writing.
As an American writer, the literary tradition that I draw on the most is the Anglo-American one, and when you are writing in this tradition, the Orientalizing Western gaze is something you have to constantly push against as well as compromise with.
Trying to imagine E. M. Forster, who found Ulysses indecorous, at a London performance of Lenny Bruce—to which in fact he was once taken. Trying to imagine the same for a time-transported Nathaniel Hawthorne—who during his first visit to Europe was even shocked by the profusion of naked statues.
Good writers know that crime is an entre into telling a greater story about character. Good crime writing holds up a mirror to the readers and reflects in a darker light the world in which they live.
When I was a child, I loved 'The Marble Faun' by Nathaniel Hawthorne. The reason I liked it was because it had a beautiful binding. When you're a kid, you like books because they're pretty to look at, and this one had a white calfskin cover and gold edges. That was enough to make me love it.
There is more suspense, more dramatic torque, in one page of [Nathaniel] Hawthorne's heart-racked ruminations onthe Christian consciencethaninall Demi Moore's woodland gallops and horizontal barn dancing.
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