A Quote by Ishmael Reed

No one says a novel has to be one thing. It can be anything it wants to be, a vaudeville show, the six o’clock news, the mumblings of wild men saddled by demons. — © Ishmael Reed
No one says a novel has to be one thing. It can be anything it wants to be, a vaudeville show, the six o’clock news, the mumblings of wild men saddled by demons.
The most violent show on TV is the six o'clock news.
The medieval ideas of the "wild wood" was like a cupboard into which they stuffed everything they were afraid of - Wodwose, Green Men, demons, strange creatures - and of course the most fearful thing of all- wild women and their sexuality!
Milton took vaudeville, which, if you look up 'vaudeville' in the dictionary, right alongside of it, it says 'Milton Berle' - and he made it just a tremendous party.
When I started in news on the 'Six O'Clock,' I was 36 and felt very inexperienced.
I don't think it is as a trope or as something in our psyches. There's very little wilderness out there but there is wild mind, and the Wild mind that actually, as Gary Snyder says, wants to take care of things. There's an elegant quality to the wild mind.
[I remember going] to a hotel gym at six o'clock in the morning, and the television was on, and it's some drama in which two men have clearly kidnapped a woman. They're interrogating her, and they put a plastic bag over her head. They're suffocating her, and I'm thinking, It's six o'clock in the morning! Why does anybody need to see this? How can I find the off switch?
There are nascent stirrings in the neighborhood and in the field, articulated by non-celebrated people who bespeak the dreams of their fellows. It may be catching. Unfortunately, it is not covered on the six o'clock news.
There's a reason it's called 'girls gone wild' and not 'women gone wild'. When girls go wild, they show their tits. When women go wild, they kill men and drown their kids in a tub.
Wherever I am, I start my day, it's the same. I'm not an early bird. I'm not waking up at five o'clock, six o'clock; it's usually seven-thirty, eight o'clock, and I will then read the newspapers, emails from around the world and make phone calls.
A man says to the doctor: "What's the good news?" "You've got 24 hours to live." He says: "What's the bad news?" The doctor says: "We should have told you yesterday."
News is virtual now. It is not 24-hour news cycles; it is instant news cycles. It is live. News is live all the time, around the clock.
There were a great many in vaudeville - people who never quite came through. But they had their place, and they filled it. They kept theatres open. Those pan-timers, those interstate-timers, those four-a-dayers, those six-a-dayers - they were an integral part of that endearing merry-go-round called vaudeville.
News is what a chap who doesn't care much about anything wants to read. And it's only news until he's read it. After that it's dead.
The rules seem to be these: If you have written a successful novel, everyone invites you to write short stories. If you have written some good short stories, everyone wants you to write a novel. But nobody wants anything until you have already proved yourself by being published somewhere else.
In France, ballet is on TV ... It's on the eight-o'clock news. It's a cool thing to be a dancer.
Our civilization has decided that determining the guilt or innocence of men is a thing too important to be trusted to trained men. When it wants a library catalogued, or the solar system discovered, or any trifle of that kind, it uses up its specialists. But when it wishes anything done which is really serious, it collects twelve of the ordinary men standing round. The same thing was done, if I remember right, by the Founder of Christianity.
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