A Quote by Ishmael Reed

Neo-Hoodoo is the 8 basic dances of 19th century New Orleans' Place Congo- the Calinda the Bamboula the Chacta the Babouille the Conjaille the Juba the Congo and the VooDoo- modernized into the Philly Dog, the Hully Gully, the Funky Chicken, the Popcorn, the Boogaloo and the dance of great American choreographer Buddy Bradley.
I chose Congo in order to become close to a place that we had turned away from. It isn't present in our imaginations, in the stories we tell each other. Yet it's relevant to our lives and to our worlds, in a practical way. Congo supplies raw materials for the things that we use on a daily basis. We are intimately linked to Congo, economically. We're linked to it through human events that are occurring there, that affect all of us, and yet you don't find narratives of Congo present in our lives.
Most people don't know that Congo Square was originally a Muscogee ceremonial ground... in New Orleans, the birthplace of jazz.
The murder of Lumumba, in which the U.S. was involved, in the Congo destroyed Africa's major hope for development. Congo is now total horror story, for years.
I go to play for Congo now and it's a reality check. You see how it is for some people and you don't take things for granted. A lot of the people in Congo, to get the opportunity that I have had, I don't know what they'd do.
The 'civil rights' revolutionary groups are a case in point. Their goal is not equality but power. The background of Negro culture is African and magic, and the purposes of magic are control and power. . . Voodoo or magic was the religion and life of American Negroes. Voodoo songs underlie jazz, and old voodoo, with its power goal, has been merely replaced with revolutionary voodoo, a modernized power drive.
At 16 I was living in the Congo, and, you know, it's your teenage time. I really wanted to find a way to express myself, so I started to write songs in the Congo, and I think that's why my music is quite open, with a lot of different influences.
The Congo is really beautiful. People correct me and say, "Oh, you mean the Democratic Republic of the Congo." Well, fine. But, the land there, the landscape is extraordinary. It's big lakes and beautiful hills and trees.
Syria is bad enough, it's a pretty terrible atrocity. But there are much worse ones in the world. So for example, the worst atrocities in the past decade have been in the Congo, the Eastern Congo, where maybe 5 million people have been killed.
I'm a nomad. I have a place in New York in the Flatiron District, and I have a place in Paris in Ile Saint-Louis, and I spend a lot of time in Congo.
The Congo is so fun. The ideal body type coveted by women in the Congo is this extremely curvaceous body. They're going through a number of extreme measures to get that kind of body form, and one of them is by using bouillon cubes.
There's also the tradition of voodoo, the Haitian magic arts, in New Orleans. And because New Orleans is below sea level, when they bury people in New Orleans, it's mostly above ground. So you have this idea that the spirits are more accessible and can access you more easily because they're not even buried.
My favourite dish is from Congo, the native country of my father. It's called Poulet a la Dakatine and is made from chicken, peanut butter and spinach.
I started, actually, as an analyst on African affairs, mainly on Al Jazeera. I remember the first few series were about Saudi students, and the negotiations between the government and the Sudanese rebels in the south. And then, slowly, I was speaking about Congo, Democratic Republic of Congo, Zimbabwe, Mozambique and a few other places.
I cannot forget the place that I come from. The Congo is much in need.
One of the reasons why I say we all need to work together to save the Congo forest, because if we don't save the Congo forest, the Amazon forest and the southeast Asia forest, if those forests release the carbon they are trapping at the moment, much of what you will be doing in the North will be negated by the amount of carbon released into the atmosphere.
In America, there might be better gastronomic destinations than New Orleans, but there is no place more uniquely wonderful. ... With the best restaurants in New York, you'll find something similar to it in Paris or Copenhagen or Chicago. But there is no place like New Orleans. So it's a must-see city because there's no explaining it, no describing it. You can't compare it to anything. So, far and away New Orleans.
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