A Quote by Isla Fisher

I have a side of me that doesn't care. I really enjoy physical comedy, thinking of an idea and pitching it to the director. — © Isla Fisher
I have a side of me that doesn't care. I really enjoy physical comedy, thinking of an idea and pitching it to the director.
I enjoy doing physical comedy. I'd love, you know, them to throw me some shtick that way. I'd love to do that, if they need physical comedy, if they'd let me display my wares that way.
I don't care if you hate me or if you like me, as long as somebody gives me a character that is really a character to play. It's fun to be able to have a character and have a director that can direct you into a character. I'm just so happy that I got a good role. I don't care if it's bad or if it's good, and I don't care if it's drama or comedy. They are just so rare to come across.
In training, the players would deliberately hit high balls into me and barge into me so I'd get used to that side of the English game. I actually enjoy the physical side of it now.
I like broad comedy. If I had an idea tomorrow for a film that was all slapstick and broad comedy, and it was an idea that interested me, I would not hesitate to do it because I enjoy watching these kinds of film.
I really enjoy working. I really enjoy telling stories. I really enjoy acting. The idea that I would have a baby and stop doing that was unrealistic to me.
I can do comedy, so people want me to do that, but the other side of comedy is depression. Deep, deep depression is the flip side of comedy. Casting agents don't realize it but in order to be funny you have to have that other side.
I think that the cinema is a physical thing. What I'm looking for is creating a physical shock with the audience. I don't care of the meaning. I don't care of the idea. I don't want to say something. I want to make a 'shock physique.'
I enjoy doing physical comedy.
Maybe this is extremely selfish of me, but I do things that I want to make and I don't really care about anyone else when I'm thinking about an idea.
I never really sounded like Bird, but that was my mission. I didn't care if people said that I copied him; I loved Bird's playing so much. But Mingus was the one that really pushed me away from the idea and forced me into thinking about having an individual sound and concept. That's what I got from Mingus.
When I grew up, one of comedy idols was Rowan Atkinson, who of course is Mr. Bean and uses physical comedy. Same with Jim Carrey. Both of those guys. And Peter Sellers. Most of my comedy idols are physical comics.
I was thinking about comedy and how comedy in many ways opens us up to ideas and really being influenced by Richard Pryor and sort of the way he would use comedy to really speak about larger social issues.
What I love about comedy is that we're this group of weirdos, and the only language that matters is, 'Are you funny?' And it really is this oddly cool American idea where comedy's the marketplace of ideas. May the best idea win.
To be honest, I'm probably more of a comedy person, actually. I really enjoy the comedy stuff, and I've got some things I'll be working on that I think are just different ways of combining genres in comedy and drama and action.
There's obviously a lot of tragedy in comedy; I really enjoy the paradox of what a really good comedy is.
There’s obviously a lot of tragedy in comedy; I really enjoy the paradox of what a really good comedy is.
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