A Quote by Ismail Kadare

It is well known that in the Communist countries, and especially in my own, Albania, readers were often called upon to demonstrate their vigilance by detecting and denouncing the 'errors' of authors.
In practice, the copyright system does a bad job of supporting authors, aside from the most popular ones. Other authors' principal interest is to be better known, so sharing their work benefits them as well as readers.
The most that the Convention could do in such a situation, was to avoid the errors suggested by the past experience of other countries, as well as of our own; and to provide a convenient mode of rectifying their own errors, as future experience may unfold them.
Are my characters copies of people in real life? ... Don't ever believe the stories about authors putting people into novels. That idea is a kind of joke on both authors and readers. All the readers believe that authors do it. All the authors know that it can't be done.
I found a correlation between the spreading of democracy after the fall of the Berlin Wall and the rise in slavery. Now, as countries, former Communist countries, became so-called democratic, people started to be enslaved by their own countrymen.
Albania has to demonstrate that it is willing to be a reliable partner in the international community.
You said, 'Planning is something for communist countries; democracy and planning don't go together!' But, with all the errors we committed, our plans succeeded.
As publishers focus on blockbusters, they steadily lose interest in little-known authors from other countries.
Salvation by society failed the most where it promised the most, in the communist countries. But it also failed in the West. Practically no government program enacted since the 1950s in the Western world - or in the communist countries - has been successful.
I've lived a lot in communist countries and they're intensely interested in money. I think they are more interested in money than capitalists are. They're the most materialistic people in the world. What they're actually living for is material things. The irony of that is that in communist countries there isn't anything to buy.
Authors do not supply imaginations, they expect their readers to have their own, and to use it
The issue is that when you're a critic it's hard to tell the difference between the thrill of denouncing and telling the truth. Telling the truth to me feels more often like denouncing than like praising. There are many more concrete advantages in the world for people who praise than for those who denounce. So if you want to tell the truth, oftentimes you're going to err on the side of denouncing. That's just something I have to work on.
Who was the founder of American education? John Dewey - you know that very well - card-carrying Communist. The American education system, in America - one of the so-called 'founders' was a Communist
Has the pope questioned the faith of any communist leaders? He spends a lot of time in communist countries.
As is well known, 'McCarthyism' was an alleged focus of political evil in the 1950s: Accusations of Communist taint, without factual basis; bogus lists of supposed Communists who never existed; failure in the end to produce even one provable Communist or Soviet agent, despite his myriad charges of subversion.
People often ask authors where their ideas come from, and often authors say they don't know. But I do know about this one. Once upon a time, my wife and I had three small children -- two boys and a girl, just like in the story. And when they were young, we used to tell them a story very like YOU'RE ALL MY FAVORITES.
Well, the Communists at that moment were very strong in Italy and the Italian Communist Party was the biggest Communist Party outside Soviet Union, there's no doubt about that.
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