A Quote by Ismail Kadare
Having spent the greater part of my life under a Communist dictatorship, I am very familiar with the Bolshevik mentality according to which an author in general, and an eminent author in particular, is always guilty, and must be punished accordingly.
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Great literature must spring from an upheaval in the author's soul. If that upheaval is not present then it must come from the works of any other author which happens to be handy and easily adapted.
It is a greater joy to see the author's author, than himself.
Part of my platform is, of course, the guilty must be punished and that we no longer let our children see their guilty leaders getting away with murder. Because it teaches children, you know, that they don’t have to have any morals as long as they have guns and are bullies and I don’t think that's a good message. . . . I do say that I am in favor of the return of the guillotine and that is for the worst of the worst of the guilty.
A reader is doubly guilty of bad manners against an author when he praises his second book at the expense of his first (or vice versa) and then expects the author to be grateful for what he has done.
I spent many years writing and directing in radio drama, so I am comfortable with an audience or a microphone, but I do worry about the blurring of an author's public persona with the work itself. A good 'performer' can make a mediocre book sound strong, and a shy author can leave listeners missing the excellence of his or her writing.
A lot of school-going children are familiar with my writing. I am basically very much a children books author.
Sin must be within God's eternal decrees in some sense in which He is not the author of it . . . We must conclude then that within the decrees of God, there are decrees of permission of those things of which God Himself is not the author
I have never admitted the right of an elderly author to alter the work of a young author, even when the young author happens to be his former self.
It is always dishonest for a reviewer to review the author instead of the author's book.
It's very hard to get one publisher to accept an author going over to the other author's company to collaborate.
I know that I am a singer and an actor, yet in order to give the public the impression that I am neither one nor the other, but the real man conceived by the author, I have to feel and to think as the man the author had in mind.
When a character is born, he acquires at once such an independence, even of his own author, that he can be imagined by everybody even in many other situations where the author never dreamed of placing him; and so he acquires for himself a meaning which the author never thought of giving him.
More than anything I am a novelist. But for me, an author's job is not only to create linguistically accomplished works. As an author I also want to stimulate discussion.
Three characteristics a work of fiction must possess in order to be successful:
1. It must have a precise and suspenseful plot.
2. The author must feel a passionate urge to write it.
3. He must have the conviction, or at least the illusion, that he is the only one who can handle this particular theme.
I didn't understand in the beginning that the editor didn't want me to know the author. I'd make an effort to meet the author, but it would end up being a disaster because then I had the author telling me what I should be doing.
Some reviews give pain. This is regrettable, but no author has the right to whine. He was not obliged to be an author. He invited publicity, and he must take the publicity that comes along.
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