A Quote by Ismail Merchant

This is one of his most human and most amusing and witty novels. The characters are very Indian. I decided that I wanted to do a comedy, so this was just the right one.
I think that I altered history in 'Elizabeth,' and I interpreted history far more than Danny Boyle or Richard Attenborough did to 'Slumdog Millionaire' or 'Gandhi.' They took Indian novels or Indian characters and very much stayed within the Indian diaspora.
I love sitcoms, and I grew up on sitcoms. That's my tasty junk food. So I wanted to create a sitcom and have some really quirky characters, because most of the stuff they make now is just so marginalized. How interesting is a white guy who's 28 years old and lives in New York? What story have we not seen about a character like that? Just as a writer, it's so much easier to come up with comedy when you have a really oppressed Indian boy. Or a mother who is an addict but still has to take care of her kids.
I decided very early that I wanted to write. But I didn't think of it as a career. I didn't even think of it as a profession... It was the most exciting thing, the most powerful thing, the most wonderful thing to do with my life.
The most Indian thing about the Indian is surely not his moccasins or his calumet, his wampum or his stone hatched, but traits of character and sagacity, skill, or passion.
I think thing that makes Batman so endlessly interesting is that he's one of the most flawed and deeply human characters, even though he seems completely the most inhuman and infallible in costume. Psychologically he's one of the most complicated in both his strengths and his weaknesses. For me, one of his great strengths and weaknesses is that confidence. His emotional self-protection is one of the things that makes him heroic and sacrificing; he doesn't have a personal life. He sacrifices those to be the best hero he can be.
Most of the time, my favorite drama has comedy in it as well. I think most good dramas have comedy in there. And all of the dramatic actors I look up to are also very funny.
In them days, it was just still not illegal to kill an Indian. If you killed an Indian, you'd be very unfortunate if you got probation - most of them were released immediately.
The fact is that most crime novels contain a good many punchlines. They are just rather darker than the ones you might hear in a comedy club.
Nobody is here without a reason. I always had a different sensibility. I like a huge range of comedy - from broad and farcical, the most sensitive, the most understated - but I always wanted my comedy to be more embracing of the species rather than debasing of it.
I went back to work right away [after prison]. I was very lucky — a friend of mine created a job for me at his company. Most prisoners who come home face really significant challenges when it comes to finding work. It’s very, very hard for most people who have a criminal record to get a job. I think the system is very wasteful of taxpayers’ dollars. It’s also very wasteful of human potential. I found that most people whom I was locked up with were, you know, good people who have skills and value. Prison is a missed opportunity to nurture those things.
Even in horror novels where you know most characters aren't going to make it to the end, it's crucial to have fully fleshed-out characters. If you don't do that, the reader doesn't care what happens to them.
Like most little girls, I found the lure of grown-up accessories astonishing - lipstick, perfume, hats and gloves. When I write female characters in my historical novels, getting these details right is vital.
We decided that if we get the culture right, most of the stuff, like building a brand around delivering the very best customer service, will just take care of itself.
I really loved working on comedy. Most of my roles have been very dramatic and involved lots of emotional work and crying on cue. I do really enjoy those roles because you really feel accomplished at the end of the day but they are very emotionally draining! Working on a comedy show is just fun and at the end everyone is laughing! But I am open to all roles and genres just being on a set and being a part of the magic is what I love most!
Throughout history in the theater and film people do like sarcastic characters, and they do like curmudgeons - if they're amusing, they do like them despite the fact that they're vitriolic, particularly if they're for the right thing. If you can see that the person is a decent person and is for the right thing, and is not just a nasty person with base motives, but someone who is a decent human but expresses himself.
The way I reacted to 9/11 was I decided I didn't want to do any movies that are sad or critical. I decided I didn't want to make my living depressing people or making them go home sick, so I just decided I wanted to do comedy for a while and study it for a while. It doesn't mean everybody should do that, but that was my reaction.
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