A Quote by Ismail Merchant

Urdu can not die out because it has very strong roots in Persia. The language itself is not only just the language of the Muslims, but it's also the language of the Hindus.
I have a funny relationship to language. When I came to California when I was three I spoke Urdu fluently and I didn't speak a word of English. Within a few months I lost all my Urdu and spoke only English and then I learned Urdu all over again when I was nine. Urdu is my first language but it's not as good as my English and it's sort of become my third language. English is my best language but was the second language I learned.
The Urdu or Hindustani language we use isn't popular in theatre these days. It was a language that was being used in cinema from the 1950s until the '80s. It is a very communicative language.
We believe we can also show that words do not have exactly the same psychic "weight" depending on whether they belong to the language of reverie or to the language of daylight life-to rested language or language under surveillance-to the language of natural poetry or to the language hammered out by authoritarian prosodies.
The earliest language was body language and, since this language is the language of questions, if we limit the questions, and if we only pay attention to or place values on spoken or written language, then we are ruling out a large area of human language.
I don't hate language. I have my own language, but I also enjoy the English language. Obviously, you don't read a lot of literature and not care about language.
In the UK, most of the nasheeds that I did were in my native language, Urdu. Youngsters who could not understand the language came up to me... [and] said it was a great experience to just listen. That was actually very heart warming for me.
Not only the entire ability to think rests on language... but language is also the crux of the misunderstanding of reason with itself.
Language designers want to design the perfect language. They want to be able to say, 'My language is perfect. It can do everything.' But it's just plain impossible to design a perfect language, because there are two ways to look at a language. One way is by looking at what can be done with that language. The other is by looking at how we feel using that language-how we feel while programming.
Also, they don't understand - writing is language. The use of language. The language to create image, the language to create drama. It requires a skill of learning how to use language.
In terms of language, English is very dominant vis-Ã-vis African language. That in itself is a power relationship - between languages and communities - because the English language is a determinant of the ladder to achievement.
Language is decanted and shared. If only one person is left alive speaking a language - the case with some American Indian languages - the language is dead. Language takes two and their multiples.
I want to find a language that transforms language itself into steel for the spirit--a language to use against these sparkling insects, these jets.
I'm German! Actually, I love my countr, ;I love the language. The German language is very special because it is so precise. There is a word for everything. There are so many wonderful words that other languages don't have. It is impressive to have such a rich language, and I love to work in that language.
There is a language beyond human language, an elemental language, one that arises from the land itself.
Everyone knows ladies love Cajuns. It's in our blood and our language is the language of romance." "Your language is the language of bullshit. You're just a couple of good ole boys with pretty faces. Women just ought to know better.
We switch to another language-- not our invented language or the language we've learned from our lives. As we walk further up the mountain, we speak the language of silence. This language gives us time to think and move. We can be here and elsewhere at the same time.
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