A Quote by Ismail Merchant

The mixture of the Trinidadian people and the Indian people has caused a new culture to emerge. — © Ismail Merchant
The mixture of the Trinidadian people and the Indian people has caused a new culture to emerge.
Too many of the conflicts which are caused today are caused by the problems that emerge from people who are in poverty.
This new war, like the previous one, would be a test of the power of machines against people and places; whatever its causes and justifications, it would make the world worse. This was true of that new war, and it has been true of every new war since... I knew too that this new war was not even new but was only the old one come again. And what caused it? It was caused, I thought, by people failing to love one another, failing to love their enemies.
New York City pretty much reeked of music. Reeked of rap and hip-hop. As for me, growing up in a strict West Indian, Trinidadian household, and a Christian household as well, I had to fight for the right to go and actually be a part of it.
In writing of Indian culture, I am highly conscious of my own subjectivity; arguably, there is more than one Indian culture, and certainly more than one view of Indian culture.
...culture is useless unless it is constantly challenged by counter culture. People create culture; culture creates people. It is a two-way street. When people hide behind a culture, you know that's a dead culture.
"Culture" is a new phenomenon, I believe. Culture is the new religion. People treat you based upon your culture. You are pushed to describe yourself by your culture: Kurdish or Turkish? Left wing or right wing? Progressive or conservative? Westerner or Easterner? European or Asian? So we have a label ready for you.
In the early '70s [the late] Ras Shorty and I took Indian dholak drumming [from chutney music, another Indo-Trinidadian creation], fused it with calypso's African rhythms, and soca was born against the wishes of the purists.
In culture after culture, people believe that the soul lives on after death, that rituals can change the physical world and divine the truth, and that illness and misfortune are caused and alleviated by spirits, ghosts, saints ... and gods.
I am extremely honoured by Indian Council For Culture Relations, India's apex body on the promotion of great Indian culture across the world for including cinema and I am deeply honoured for being the first person from the Indian film industry to represent the cause of this industry in the overall cultural promotion globally.
People can defame anyone they like, people can write anything they like. But non-accountability is a part of modern Indian culture.
I always encourage people to get out there, travel the world, see new things, experience new people, experience new food, experience new culture. What happens is that helps you to grow and be your best self.
I remember, in my first show in New York, they asked, 'Where is the Indian-ness in your work?'... Now, the same people, after having watched the body of my work, say, 'There is too much Indian philosophy in your work.' They're looking for a superficial skin-level Indian-ness, which I'm not about.
Indian culture certainly gives the Indian mind, including the mind of the Indian scientist, the ability to think out of the box.
Culture, as Indian people understood it, was basically a lifestyle by which a people acted. It was self-expression, but not a conscious self-expression. Rather, it was an expression of the essence of a people.
The only thing I wish was happening more was that there were more Indian characters. Like the movies with leads that are Indian and they talk about Indian culture versus Americanized Indians.
I don't like this romanticization of Indian people in which Indian people are looked at as spiritual saviors, as people who have always taken care of the land. We're human beings. But I think different cultures have developed different aspects of humanness.
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