A Quote by Isobelle Carmody

I do see, in some younger writers, elements and things that I have used - and I am very touched and flattered because I am part of a tapestry that is being absorbed by authors.
I didn't know I was cool, but I was very flattered that some of the younger comedy writers came up to talk to me at the Emmys. I found that gratifying.
Dont call me a rapper, I’m an artist. Update your minds. I ‘INCORPORATE’ hip hop elements because I am part MC, but I am all things musical. All things melodically beautiful.
I was so unsuccessful for so long. I was used to the word no. I was used to you're not good enough or not quite there or you need to fix this about you. So I am honestly walking in faith every single day that I am going to be able to handle whatever God has for me. I am not used to being in a place where people appreciate my work and understand my work and want to be a part of my work and getting something out of my work because for so long it was so misunderstood. The success part for me is the hardest part and everyday I'm still battling.
I played many matches and got experience very early. Did I lose some of my childhood? This is one of the things that I am more sensitive about and that touched me the most, because I am a family person. There are many moments that I haven't had the chance to enjoy with my family and also with my friends.
The fiction I've written and published is certainly inflected by the work of authors I was reading or translating at the time. One of my methods for developing my own voice in fiction, a process I am taking very slowly and deliberately, is through these very intense encounters with certain writers. Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one's own.
I haven't isolated myself. I am not living on a yacht somewhere. I am not tucked away or behind a gate somewhere. I am not flying on a private plane. I am going to the airport, I am with people, some of the interactions are good, some of them are not so good, but it keeps me in touch with being, you know, part of society.
I am horror fan in that I think that they are very effective on me. I get scared very easily. I am a scaredy cat. When I was younger, my mom used to rent Alfred Hitchock films, so I saw a couple of those and I was terrified by them.
I am part of the sun as my eye is part of me. That I am part of the earth my feet know perfectly, and my blood is part of the sea. My soul knows that I am part of the human race, my soul is an organic part of the great human race, as my spirit is part of my nation. In my own very self, I am part of my family.
I am itching to criticize some well-regarded writers' works, but I am not doing it because I am perfectly aware that my critique could easily be reduced to envy or just plain meanness.
There are a few of the authors that I think have made a great big impact on my life. The way I used to do things when I was younger was more about being outrageous, and there was a lot of ego involved in that.
I am constantly playing younger. I have a baby face. I'm only five-foot-one, so I am used to playing younger. I love it.
I think I did have a reputation for being grumpy. I don't think I'm grumpy. I have opinions. I have an independent vision. I am a purposeful person. But on a daily basis, I think I'm other than grumpy. I think it is a case where I am coming to do business and not there just to be flattered and cajoled and used.
My Latin roots are very strong. All my life, because I'm blonde and blue-eyed, people who aren't Hispanic can't believe I am. And people who are Hispanic always think I'm not, because I don't look like them. Being Latin is part of who I am and I bring that part to every role.
I'm touched by the Beatles. I want some of the music I do to reflect that. Here I am. I love Sly Stone and James Brown and Stevie Wonder, and I want my music to reflect some of that. Here I am. I'm touched by Jon Hendricks. I want some of my music to reflect that. And when I write, you're going to hear it.
If I went back to Zimbabwe, I am not afraid of the police or the soldiers. I am afraid of those elements which are being used by the regime. People who have nothing, I mean, who don't care whether they are paid $50 to kill someone, they could just do it for.
The pressure is always very high. I am the client, and when I am the client, I need to fight with the photographer or with the stylists or with all the people that are on the set, because I am the only one who has a very specific vision. I always have the pressure, either from myself or from the company. I am a control freak. It's part of my culture. I know that I am still working to build a Frida moment at Gucci.
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