A Quote by Isocrates

Oratory is good only if it has the qualities of fitness for the occasion, propriety of style, and originality of treatment, while in the case of letters there is no such need whatsoever.
Properly understood, style is not a seductive decoration added to a functional structure; it is of the essence of a work of art. The necessary elements of style are lucidity, elegance, and individuality; these three qualities combine to form a preservative which ensures the nearest approximation to permanence in the fugitive art of letters.
We need to embrace fitness. We only have to blame ourselves for our lack of fitness.
Sometimes fitness is a good thing to have, but you have to recognise that fitness takes you only so far, and skills are the most important thing. Fitness just helps you execute those cricketing skills for longer and more consistently, maybe.
To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes-countrysides and figures, movements and gestures-how could he have a style, that is originality?
The infallible criterion by which to distinguish the true from the would-be strategist is the degree of originality of his conceptions. It makes little difference whether this originality is carried to excess, as was the case with Steinitz and Nimzowitsch.
All bad qualities centre round the ego. When the ego is gone, Realisation results by itself. There are neither good nor bad qualities in the Self. The Self is free from all qualities. Qualities pertain to the mind only.
Generally, people who are good at writing letters have no need to write letters. They've got plenty of life to lead inside their own context.
Look not at what is contrary to propriety; listen not to what is contrary to propriety; speak not what is contrary to propriety; make no movement which is contrary to propriety.
All of the qualities that you need to be a good opinion columnist tend to be qualities that aren't valued in women.
The originality of a subject is in its treatment.
Did you ever notice how easy it is to forgive a person any number of faults for one endearing characteristic, for a certain style, or some commitment to life - while someone with many good qualities is insupportable for a single defect if it happens to be a boring one?
Propriety of thought and propriety of diction are commonly found together. Obscurity and affectation are the two greatest faults of style. Obscurity of expression generally springs from confusion of ideas; and the same wish to dazzle, at any cost, which produces affectation in the manner of a writer, is likely to produce sophistry in his reasonings.
A really good style comes only when a man has become as good as he can be. Style is character. A good style cannot come from a bad undisciplined character.
So in this case, Kalamas, don't go by reports, by legends, by traditions, by scripture, by logical conjecture, by inference, by analogies, by agreement through pondering views, by probability, or by the thought, 'This contemplative is our teacher.' When you know for yourselves that, 'These qualities are unskillful; these qualities are blameworthy; these qualities are criticized by the wise; these qualities, when adopted & carried out, lead to harm & to suffering' - then you should abandon them.
Generosity, pleasing address, courage and propriety of conduct are not acquired, but are inbred qualities.
I always looked at it as, the character of Edge gives me complete free reign with no borders, where you can get away with anything, just a complete... no social qualities, no redeeming qualities whatsoever.
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