A Quote by Israel Broussard

Actually, I wanted to be a musician, either a guitarist or a drummer. I guess my dreams were in the entertainment industry, and I landed somewhere along there. — © Israel Broussard
Actually, I wanted to be a musician, either a guitarist or a drummer. I guess my dreams were in the entertainment industry, and I landed somewhere along there.
I wanted to be a musician, either a guitarist or a drummer. I guess my dreams were in the entertainment industry, and I landed somewhere along there.
I always wanted to be someone in the entertainment industry. In my eighth grade slideshow, when everyone was like "show us what you want to be," everyone [said] doctor, lawyer, [but] mine literally said rapper. I wanted to be a musician, I wanted to be a superstar, I wanted to be on stage, I wanted to perform, I wanted to be in movies. But as you grow up, those dreams kind of fade away.
I never wished to be a 'rock star.' I just wanted to be a working musician. My dreams didn't even go past a session player or a working musician. It was too far beyond my dreams.
We were an entertainment brand, and if we were going to compete in an era of incredible growth in the cable industry, I felt we actually needed to be entertaining.
My parents were super supportive of my big dreams; I was pretty lucky. I guess I became a musician because I didn't see myself doing or loving anything else as much.
I wanted to be a musician. I wanted to be a superstar. I wanted to be on stage. I wanted to perform. I wanted to be in movies. But as you grow up, those dreams kind of fade away, and you're hit with reality, and you're like, 'Oh, not everyone can be Lil' Bow Wow?' Fine.
I was always funny, but I wasn't a great musician, and I wanted to be a musician way more than I wanted to be a comic. I just didn't think comedians were cool when I was a kid.
I was listening to a lot of really early house music tracks. Like Chicago house and Detroit. And Marshall Jefferson has a track probably from 1980 - somewhere around there - that doesn't actually have any electronic instruments, no drum machines, nothing. Just a drummer and a piano player and they're playing this house music, but they're actually playing it. I really love that aesthetic and wanted to bring that into the album.
We were bemused, I guess, when we got the call from Hollywood. We didn't know anything about the entertainment industry or even what a casting agency was. But I thought, 'What do I have to lose?' It's not every day a great opportunity presents itself.
I am an entrepreneur in the entertainment industry. Somewhere early on when I couldn't get something I wanted through the system, I threw up my hands and tried to figure a way to get it done myself. A lot of it came from my upbringing. My dad was an entrepreneur.
It's either good, bad or somewhere in between. It's either ying, yang or it's a combination. You're either male, female or somewhere in between. You've got to be somewhere on the map.
Yeah, ever since I was super-young I had a lot of dreams - I wanted to be a musician, I wanted to be a skateboarder.
I actually wanted to be a drummer, but I didn't have any drums.
We joke about it in the entertainment industry: Every actor wants to be a musician, and every musician wants to be an actor.
I guess a certain contingent of the musicians in London at the beginning of the '70s were fed up with denim and the hippies. And I think we kind of wanted to go somewhere else.
Some were getting married; some were getting divorced. People were in different places, but you had enough time on this earth to actually get somewhere, and I think that's the exciting thing about being 36 and in your mid-30s. You've been somewhere, and you're going to go somewhere. It's fun; it's exciting.
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