A Quote by Israel Zangwill

I hate French poetry. What measured glitter! — © Israel Zangwill
I hate French poetry. What measured glitter!
In poetry, I have, since very young, loved poetry in translation. The Chinese, the French, the Russians, Italians, Indians and early Celts: the formality of the translator's voice, their measured breath and anxiety moves me as it lingers over the original.
When I arrived at Columbia, I gave up acting and became interested in all things French. French poetry, French history, French literature.
The thing about glitter is if you get it on you, be prepared to have it on you forever. Because glitter doesn't go away. Glitter is the herpes of craft supplies.
The most important quote about poetry and politics that I know is from a different situationist, Guy Debord. He was locked in a debate with the French Surrealists, many of whom by the 40s and 50s were part of the French communist party apparatus. Many Surrealists eventually argued for instrumentalizing art for political ends. Debord countered, "I don't want to put poetry in the service of revolution. I want to put revolution in the service of poetry".
I learned to glitter the pumpkins for Halloween not because I went into it thinking, 'I'm going to glitter some pumpkins!' No. I bought all of these big, cold, slimy, disgusting pumpkins and tried to carve them, and it was gross, so I had to find something else to do with them. Glitter was life-changing.
You may ... make a little recreation of poetry, in the midst of your painful studies. Nevertheless, I cannot but advise you. Withhold thy throat from thirst. Be not so set upon poetry, as to be always poring on the passionate and measured pages. ... let not the Circean cup intoxicate you.
I was always interested in French poetry sort of as a sideline to my own work, I was translating contemporary French poets. That kind of spilled out into translation as a way to earn money, pay for food and put bread on the table.
French is not a language that lends itself naturally to the opaque and ponderous idiom of nature-philosophy, and Teilhard has according resorted to the use of that tipsy, euphoristic prose-poetry which is one of the more tiresome manifestations of the French spirit.
I read a lot of nineteenth-century French poetry. And Irish poetry from the ninth century on.
German poetry is going in a very different direction from French poetry.... Its language has become more sober, more factual. It distrusts "beauty." It tries to be truthful.
I have been in countries where I don't know a word of the language. I tried to practice my French as much as possible. I would talk with the crew. I always order in French, but then waiters respond in English. I hate that.
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
We need French chaplains and imams, French-speaking, who learn French, who love France. And who adhere to its values. And also French financing.
My band and I, we cover our bodies in hairspray and glitter. We use the hairspray to make sure the glitter sticks.
When I was a child, I grew up speaking French, I mean, in a French public school. So my first contact with literature was in French, and that's the reason why I write in French.
My aunt and overprivileged cousin only recognize two states of being: glitter and grunge. And if you weren’t glitter, well, that only left one other option.
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