A Quote by Israel Zangwill

The Past: Our cradle, not our prison; there is danger as well as appeal in its glamour. The past is for inspiration, not imitation, for continuation, not repetition. — © Israel Zangwill
The Past: Our cradle, not our prison; there is danger as well as appeal in its glamour. The past is for inspiration, not imitation, for continuation, not repetition.
The past is for inspiration, not imitation, for continuation, not repetition.
The eight laws of learning are explanation, demonstration, imitation, repetition, repetition, repetition, repetition, repetition.
In detachment lies the wisdom of uncertainty...in the wisdom of uncertainty lies the freedom from our past, from the known, which is the prison of past conditioning. And in our willingness to step into the unknown, the field of all possibilities, we surrender ourselves to the creative mind that orchestrates the dance of the universe.
In the wisdom of uncertainty lies the freedom from our past, from the known, from the prison of past conditioning. Uncertainty is the fertile ground of creativity and freedom.
For our past can be a prison we are locked in permanently, or it can be the key to our freedom if we glean the lessons from it and deal with it directly.
We go to the past to lay the blame - since the past can't argue. We go to our past selves to account for our present miseries.
We either allow our past to keep interfering with our optimal expression of love and happiness, or we can move beyond our past with renewed passion for life
Language also encodes our past. We want to know who we are. To know who we are, we have to know who we used to be. Consequently, our literature, written in the past, anchors us in that past.
Italy remained attached to conservatism. It had a political class that lived in the past and didn't build the future. The past is our strength, but it risks becoming our ruin if we walk with our heads turned backwards.
The other terror that scares us from self-trust is our consistency; a reverence for our past act or word, because the eyes of others have no other data for computing our orbit than our past acts, and we are loath to disappoint them.
History is the torch that is meant to illuminate the past, to guard us against the repetition of our mistakes of other days. We cannot join in the rewriting of history to make it conform to our comfort and convenience.
Our journey in going beyond our home planet is a human endeavor, and in the greatest tradition of exploration, past, present, and future spacefarers will continue to be enduring catalysts for inspiration in our quest to unravel the mysteries of the universe.
The American dream has always depended on the dialogue between the present and the past. In our architecture, as in all our other arts-indeed, as in our political and social culture as a whole-ours has been a struggle to formulate and sustain a usable past.
Pursuing employment or climatic relief, we live in voluntary exile from our extended families and our longer past, but in an involuntary exile from ourselves and our own past.
I believe that culture begins in the cradle . . .To do without tales and stories and books is to lose humanity's past, is to have no star map for our future.
That's why we feel so disoriented, irritated even, when these touchstones from our past are altered. We don't like it when our hometown changes, even in small ways. It's unsettling. The playground! It used to be right here, I swear. Mess with our hometown, and you're messing with our past, with who we are. Nobody likes that.
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