A Quote by Issey Miyake

From the beginning I thought about working with the body in movement, the space between the body and clothes. I wanted the clothes to move when people moved. The clothes are also for people to dance or laugh
From the beginning I thought about working with the body in movement, the space between the body and clothes. I wanted the clothes to move when people moved. The clothes are also for people to dance or laugh.
In the 18th century, if women wanted to travel and they dressed as a man, people would not look twice. Your clothes said everything. Also there were masters and servants swapping clothes. You could be anything, your clothes told everything!
The clothes back in those days were made so much better than clothes are today. They actually took time to make clothes to fit a woman's body. Today they make clothes that fit sizes, so it stretches to fit this and that.
I love clothes - I love shopping for clothes, I love wearing clothes, I love talking about clothes - but oddly, putting on the dress and walking around in front of people, that's the place where I'm most uncomfortable.
From when I can remember, I wanted to be an actress. I am a die hard fan of dancing and would take my dad's clothes and my mom's clothes and dance in front of the mirror. I loved my dad's clothes, as they had a lot of glitter in them.
I always have a lot of vents and slits in the clothes I design, even inside the pockets so that I can slip my hands inside my clothes and touch my skin. I want to be able to feel my body naked inside my clothes.
I opt for clothes that complement my body type. I am not someone who will go for something just because it is trendy and not look good on me. I would choose clothes which are comfortable and accentuate my body type.
Clothes as text, clothes as narration, clothes as a story. Clothes as the story of our lives. And if you were to gather all the clothes you have ever owned in all your life, each baby shoe and winter coat and wedding dress, you would have your autobiography.
I think fashion is a lot of fun. I love clothes. More than fashion or brand labels, I love design. I love the thought that people put into clothes. I love when clothes make cultural statements and I think personal style is really cool. I also freely recognize that fashion should be a hobby.
I think you should suffer sometimes to be attractive and beautiful, so I cut the clothes very slim because I like to feel the clothes on my body.
Language disguises the thought; so that from the external form of the clothes one cannot infer the form of the thought they clothe, because the external form of the clothes is constructed with quite another object than to let the form of the body be recognized.
Fashion museums think the more you know about the significance of clothes culturally, the more interesting they are. We certainly don't neglect the aesthetic aspects of clothes. But, I feel that what sets us apart from social, economic, and even aesthetic, or art historical context is that we are not only talking about clothes as kind of art objects created by an artist designer, but also we're talking about the various meanings that clothes have in the world, and how that changes and how we kind of create meanings around clothes.
I never wanted to be the face of the brand. You haven't seen me in my own ads. You don't see my logo all over my clothes. From the beginning, I wanted the clothes to stand on their own.
I can see clothes of silk, if materials that do not hide the body, nor even one's decency, can be called clothes. ... Wretched flocks of maids labor so that the adulteress may be visible through her thin dress, so that her husband has no more acquaintance than any outsider or foreigner with his wife's body.
I always laugh because if I walk through the mall in my gym clothes a ponytail I get recognized but if I'm in street clothes or dressed up not very many people notice.
My mama couldn't give me what I wanted. I had all right clothes, but the people I was with had better clothes. I felt that I had to have better clothes.
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