A Quote by Issey Miyake

You see it in the many bouncing clothes that are not just pleats. To make them, two or three people twist them - twist, twist, twist the pleats, sometimes three or four persons twist together and put it all in the machine to cook it.
The characters are so flat and the dialogue so dull you expect it to be one of those movies whose existence is justified by a big final twist. But it's three days after the screening, and still no twist. Maybe it's coming in the mail?
I would never, for the sake of the story or a twist, have a character do something that they just wouldn't do. I really couldn't. I'd rather miss out on the twist.
If you are not progressing along the true way, a slight twist in the mind can become a major twist. This must be pondered well.
The one good thing about a movie and music and stuff like that: Sometimes it's a counterpoint between the movie and the music itself, the difference and the tension they build together. I think that could be something that helped with me, because when I write songs now, I write lyrics a bit like that. I try to make the music be an interesting twist on the lyrics and help tell the story in a - I don't tell crazy stories, you know? So a lot of times, the twist is in the subtleties. The twist is in the way the story's told.
It's basically me saying to the industry that I won't work within the walls in hip-hop. I want to put a twist on things, and that's what that song is all about. It's about putting a twist on stereotypes.
I've got a tiny little twist in the tooth to the right of my two front teeth that my dad, my aunt and my grandad have all had. It's really weird; it's the Bowman twist. I don't know what it is about my mouth, but it looks a bit wonky to me.
There are a number of writers who believe it is their duty to throw as many curve balls at the reader as possible. To twist and twist again. These are the Chubby Checkers of crime fiction and, while I admire the craft, I think that it can actually work against genuine suspense.
I don't get the airplay that one in my position deserves. 'Twist and Shout' gets more airplay than 'The Twist,' and that's not right.
In the context of general relativity, space almost is a substance. It can bend and twist and stretch, and probably the best way to think about space is to just kind of imagine a big piece of rubber that you can pull and twist and bend.
The Twist was a guided missile launched from the ghetto into the heart of suburbia. The Twist succeeded, as politics, religion and law could never do, in writing in the heart and soul what the Supreme Court could only write on the books.
The Twist was a guided missile, launched from the ghetto into the very heart of suburbia. The Twist succeeded, as politics, religion, and law could never do, in writing in the heart and soul what the Supreme Court could only write on the books.
But there's a twist. There's always a twist.
Schools of science and physics replacing each other at a faster and faster rate. Just the nature of our world is constant revision, constant...negation of previous beliefs, and so...the whole world is a twist ending. Every week is a twist ending.
I always feel that a viewer has an expectation about every moment of the film and where it's going, so if I act against that, I've created a twist. In fact it becomes a kind of game with the expectations of the viewer. This is the superficial appearance. In the layer beneath there is a hidden theme. The result of each twist is that the judgment of the audience member is challenged.
'Insidious 2' is a direct continuation of the first movie. We literally pick up from where we left off at the end of the first film. And whereas the first movie is a twist on the haunted house genre, the second movie is a twist on the classic domestic thriller.
They don't allow a lot of stalling in college, but that's a contradiction, because at the same time they give points for riding the tar out of a guy. And it's too soft on what moves you can use. If you start to twist an arm, it's illegal, if you twist a leg it's illegal. There's no way you can turn a good wrestler over without some pain.
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