A Quote by Issey Miyake

The joining of the Japanese with the French should make a new movement. I think it should be good for Paris. — © Issey Miyake
The joining of the Japanese with the French should make a new movement. I think it should be good for Paris.
I think London, New York, Paris, Milan, any big city has its own fashion. I don't know why they make such a big thing of Paris. I think maybe it comes from French New Wave films portraying the French girl as very feminine.
Sometimes we feel that one individual's action is very insignificant. Then we think, of course, that effects should come from channeling or from a unifying movement. But the movement of the society, community or group of people means joining individuals. Society means a collection of individuals, so that initiative must come from individuals. Unless each individual develops a sense of responsibility, the whole community cannot move. So therefore, it is very essential that we should not feel that individual effort is meaningless- you should not feel that way. We should make an effort.
I happen to think the Paris accord, the Paris treaty, or the Paris Agreement, if you will, should have been treated as a treaty, should have gone through Senate confirmation.
So when they have Mourinho and Benitez joining the Premiership they should say it's good for us, maybe these guys have something new to give.
Americans continue to visit Paris not just for Paris, but for ‘Paris.’ As if out of some collective nostalgia for what Paris should be, more than what it is. For someone else’s memories.
In Paris and later in Marseille, I was surrounded by some of the best food in the world, and I had an enthusiastic audience in my husband, so it seemed only logical that I should learn how to cook 'la cuisine bourgeoise' - good, traditional French home cooking.
I don't think all films should necessarily look like they do on digital video. I think it cheats the audience, at some point. If you try to make an epic and you shoot it digitally, that doesn't make much sense. I think there's a certain kind of film that could be a "digital film." But it shouldn't be interchangeable with other films. It should be something more than just a capture medium. It should be a different form altogether, something new.
Good design for the home should be universal. A house should be like old shoes, comfortable, like a good friend... The Japanese aesthetic is important to me. Very organic. They have a sense of the weight of the thing: very balanced.
... I don't think anybody should avoid mistakes. If it is within their nature to make certain mistakes, I think they should make them, make the mistakes and find out what the cost of the mistake is, rather than to constantly keep avoiding it, and never really knowing exactly what the experience of it is, what the cost of it is, you know, and all the other facets of the mistake. I don't think that mistakes are that bad. I think that they should try and not do destructive things, but I don't think that a mistake is that serious a thing that one should be told what to do to avoid it.
I think you should do rehearsal and work at it, but when the camera rolls, you should be ready. Try to make it good the first time.
I think I should learn French and be a better cook - basic, really good life stuff.
What you eat should not just be "good for you" but it should contribute to your happiness; it should make you a happier person.
I don't think writers should be convenient examples. I don't think we should make people feel settled. I don't try to be a gadfly, but I do think that real ideas are troublesome. There should be something about my work that leaves the reader unsettled. I intend that.
The object of a New Year is not that we should have a new year. It is that we should have a new soul and a new nose; new feet, a new backbone, new ears, and new eyes. Unless a particular man made New Year resolutions, he would make no resolutions. Unless a man starts afresh about things, he will certainly do nothing effective.
Paris is not so square. I'm not good at the geography of the city in Paris, so I'm always lost. Here, in New York, you can never be lost. In Paris, even when I walk to my gallery or whatever, I always take another route, because Paris is not built that way.
It comes down to what your priorities are, and if public education is about kids, then every decision we make should be focused on the question of 'Is this good for a child?' And that should be the driving focus and the priority when we decide what our policies should be and what our laws should be.
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