A Quote by Issey Miyake

A few of the influences on my career so far have been Isamu Noguchi, Irving Penn, and seeing the riots of 1968 in Paris. — © Issey Miyake
A few of the influences on my career so far have been Isamu Noguchi, Irving Penn, and seeing the riots of 1968 in Paris.
I've photographed everybody from Matisse to Isamu Noguchi.
The relationship between violence and nonviolence in this country is interesting. The fact of the matter is, you know, people do respond to riots. The 1968 Housing Act was in large response to riots that broke out after Dr. Martin Luther King was killed. They cited these as an actual inspiration.
If Mr. Obama could walk across the Peace Bridge in Hiroshima - whose balustrades were designed by the Japanese-American sculptor Isamu Noguchi as a reminder both of his ties to East and West and of what humans do to one another out of hatred - it would be both a real and a symbolic step toward creating a world that knows no fear of nuclear threat.
One of my all-time favorite photographers is Irving Penn. I wish I could have watched him work.
Irving Penn said he didn't want to photograph anyone under 60, and I think there is some truth about it.
I felt like I was in the best photography school in the world - I had Herb Ritts, Bruce Weber, Richard Avedon and Irving Penn teach me.
In 1968, I left Cambridge and went to work in New York with Irving M. London, who was then the chairman of the Department of Medicine at the Albert Einstein College of Medicine.
I dressed all in black and went to see all the top photographers, like Irving Penn, and said, 'I am Veruschka who comes from the border between Russia, Germany and Poland. I'd like to see what you can do with my face.'
As far as songwriters, I've always been a fan of Irving Berlin, Cole Porter, and George Gershwin; those guys mean a lot to me.
When I have been asked during these last weeks who caused the riots and the killing in L.A., my answer has been direct and simple: Who is to blame for the riots? The rioters are to blame. Who is to blame for the killings? The killers are to blame.
There's been a certain amount of opportunism in the wake of the Paris attacks in 2015, when there was almost a reflexive assumption that, "Oh, if only we didn't have strong encryption out there, these attacks could have been prevented." But, as more evidence has come out - and we don't know all the facts yet - we're seeing very little to support the idea that the Paris attackers were making any kind of use of encryption.
Now everybody has been doing the national anthem in their own style, but in 1968 I was the one that took the heat. It cut my career for quite a while.
When Picasso painted in Paris, was he a Spanish or a French painter? It does not matter, he was Picasso, whatever the influences surrounding him. He simply chose Paris because it was the ideal place for him to sell his creation.
I don't like gimmicky pictures; I've always hated them. I like pictures that are very clear and clean, whether you're a great street photographer - somebody like Friedlander or Winogrand or Cartier-Bresson - or whether you're a portraitist, like Irving Penn.
My career direction has probably been guided as much by curiosity and my personality as by my early influences.
John Irving once told me he doesn't start a novel until he knows the last sentence. I said, 'My God, Irving, isn't that like working in a factory?'
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