A Quote by Italia Ricci

I usually tend to stay toward classic things. — © Italia Ricci
I usually tend to stay toward classic things.
History is moving, and it will tend toward hope, or tend toward tragedy.
Many women tend toward the interdependent end of things, we tend to see ourselves in relationship to others to a far greater degree than men.
Italians stay so true to their classic silhouettes and the things that they've always done.
When we think of classic American desserts, we tend to imagine apple pie and ice cream. However, the most classic American dessert of all might be the chocolate chip cookie.
The good is the end toward which all things tend.
Whenever people are faced with any sort of adversity... they tend to gravitate toward things that make them comfortable, and things that they feel are important.
I tend to go toward things that make me afraid.
I tend to lean toward strong female stories. I want to make things that don't already exist out there.
I tend to keep my style very classic. I like very girly, retro inspired, feminine floral things. I'm not very edgy.
Fundamentally, one of the things I tend to migrate toward when I'm working is a story about people whose stories aren't told in theater.
The conservative Republican governors tend to be more oriented toward trying to work with Democrats and getting things done.
... social roles vary in the extent to which it is culturally permissible to express ambivalence or negative feelings toward them.Ambivalence can be admitted most readily toward those roles that are optional, least where they are considered primary. Thus men repress negative feelings toward work and feel freer to express negative feelings toward leisure, sex and marriage, while women are free to express negative feelings toward work but tend to repress them toward family roles.
I tend to write short, brief snippets - I lean toward the chamber music end as opposed to the symphony end of things.
All things tend toward entropy. The whole universe is moving outward, the stars pulling away from one another, God knows what falling through the cracks between them.
I tend to gravitate toward the "act two," or "act three," or "act four" stories - either things that are underreported, where we think we already know the common narrative, or things that are at the margins of an over-reported story, where we're all so focused in one direction that we're missing something crucial that's unfolding off to the side.
I always tend to gravitate toward the idea of things being human: that this isolation I feel as an Asian American, even though it's real, other people have it too in their own way.
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