A Quote by Italo Calvino

The word connects the visible trace with the invisible thing, the absent thing, the thing that is desired or feared, like a frail emergency bridge flung over an abyss.
Our spoken word first hammers a thing desired into shape. Our continued spoken word brings this shaped substance forth and clothes it with a visible body.
Word is murder of a thing, not only in the elementary sense of implying its absence - by naming a thing, we treat it as absent, as dead, although it is still present - but above all in the sense of its radical dissection: the word 'quarters' the thing, it tears it out of the embedment in its concrete context, it treats its component parts as entities with an autonomous existence: we speak about color, form, shape, etc., as if they possessed self-sufficient being.
As Christians, we say what God has said over and over until the thing promised in His Word and desired in our hearts is fully manifested in our lives.
This visible world is a trace of that invisible one and the former follows the latter like a shadow.
I remember when John Carpenter made 'The Thing;' I saw that in the theater with the Necros. Both of our bands went and nobody said a word until it was over. That's the kind of thing I like.
I've found an extraordinary thing happens where I flash an entire finished song. I could be walking along, say over that bridge, and I see and hear the whole thing, words and music.
I'm desperately trying to unplug. The last thing I want is a watch that connects to my phone which connects to my iPad that connects to my computer that airplays to my TV.
The country is the real thing, the substantial thing, the eternal thing, it is the thing to watch over and care for and be loyal to; institutions are extraneous. . . .
The Toddstock thing is the closest thing, I have to say, a Grateful Dead sort of thing where it all lapses over from the formality of a concert into more of a lifestyle thing.
It's all just so fraught when you're writing and then going through the editorial process. It feels like this shape-shifting thing. When it's done, and you can't change a single word, it's a totally different thing. I was surprised by what that thing was.
I was like, "This is a new thing that the gay people have decided? That's the gayest thing I've ever heard in my life." You can't do that. You can't decide that a word is forbidden now collectively amongst your group of human beings, that the word is a slanderous evil nasty word about homosexuals. It's not, the word doesn't mean that. And sometimes it's a good word to use in comedy. That's what your friend has to realize when he's at a bar just yelling out the word.
Deep knowledge is not knowledge of the thing itself, but knowledge of a thing like the thing. Then, you gain not one knowledge, but two knowledges. Of the thing. And of the original thing with is like the thing. Which is the barbarism of the privileged class.
Every ordinary thing in your life is a word of God's love: your home, your work, the clothes you wear, the air you breathe, the food you eat.... the flowers under your feet are the courtesy of God's heart flung down on You! All these things say one thing only: "See how I love you."
Visible things can be invisible. However, our powers of thought grasp both the visible and the invisible – and I make use of painting to render thoughts visible.
For me, ancestry is just one thing that connects us to people, and feeling connected to other people is generally a good thing, as long as one kind of connection does not have primacy over all the others. Heredity, race and nationhood are not the best criteria by which to judge our fellow humans.
Music was your real passion, this thing you held dear even above family. It was this relationship that never betrayed you. Once it became your job - this thing that was highly visible, this thing that became about commerce - that's when you were holding onto music like it was a palm tree in a hurricane.
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