A Quote by Italo Calvino

You are about to begin reading Italo Calvino's new novel, If on a winter's night a traveler. — © Italo Calvino
You are about to begin reading Italo Calvino's new novel, If on a winter's night a traveler.
You are about to begin reading Italo Calvino's new novel, If on a winter's night a traveler. Relax. Concentrate. Dispel every other thought. Let the world around you fade. Best to close the door; the TV is always on in the next room. Tell the others right away, "No, I don't want to watch TV!" Raise your voice -- they won't hear you otherwise -- "I'm reading! I don't want to be disturbed!" Maybe they haven't heard you, with all that racket; speak louder, yell: "I'm beginning to read Italo Calvino's new novel!" Or if you prefer, don't say anything: just hope they'll leave you alone.
Notable American Women is an enchanting and moving novel. Like Italo Calvino and Lewis Carrol, Ben Marcus reconfigures the world that we might see ourselves in a cultural and moral landscape that is disturbingly familiar, yet entirely new. As though granted a new beginning, Marcus renames the creatures of our world, questions who we are and who, as men and women, we might be. Notable American Women is a wonder book, pleasurable and provocative.
The best novelist of my generation is an Italian living in Paris, still working and improving - Italo Calvino.
He[ Italo Calvino] always said it would be impossible to try to make films out of his books, though he hoped it would happen because that's where the money was.
I have for a long time loved fabulist, imaginative fiction, such as the writing of Italo Calvino, Jose Saramago, Michael Bulgakov, and Salman Rushdie. I also like the magic realist writers, such as Borges and Marquez, and feel that interesting truths can be learned about our world by exploring highly distorted worlds.
The overdressed traveler betrays more interest in being seen than in seeing, while the true traveler knows that the novel world about her serves as the most appropriate accessory.
We [ with Italo Calvino] had a great relationship. I don't think it's a coincidence that his only daughter's name is Giovanna. I loved his book dedications to me: "To Giovanna Cau, another book that won't be turned into a movie."
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
Reading a novel, War and Peace for example, is no Catnap. Because a novel is so long, reading one is like being married forever to somebody nobody knows or cares about.
I didn't feel the need for anonymous affection, for people in the dark applauding. To me, it would be like writing a novel and then getting up every night and reading your novel.
We read five words on the first page of a really good novel and we begin to forget that we are reading printed words on a page; we begin to see images.
When you are starting away, leaving your more familiar fields, for a little adventure like a walk, you look at every object with a traveler's, or at least with historical, eyes; you pause on the first bridge, where an ordinary walk hardly commences, and begin to observe and moralize like a traveler. It is worth the while to see your native village thus sometimes, as if you were a traveler passing through it, commenting on your neighbors as strangers.
I didn't feel the need for anonymous affection, for people in the dark applauding. To me, it would be like writing a novel and then getting up every night and reading your novel. Everything I did is on the record and, if you want to hear it, just listen to the record.
One of the humbling things about having written more than one novel is the sense that every time you begin, that new empty page does not know who you are.
There's novel reading, and then there's the other kind of reading. Take somebody like Carl Jung, the psychiatrist - now there's somebody worth getting into. With novels, I'm kind of fly by night. It isn't something I can be really consistent with.
If someone does learn about the world from reading a novel of mine, that makes me very happy. It's probably not what brings me into the novel in the first place - I usually am pulled in by some big question about the world and human nature that I'm not going to resolve in the course of the novel. But I'm very devoted to getting my facts straight.
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