A Quote by Italo Zucchelli

The most inspiring thing for me about Calvin Klein was how subversive the advertising's message was. That's what drove me in my creative process and also in my creating now. The new advertising campaign is Calvin Klein the way I see it today. It's also bringing back the kind of subversive element that I always saw in Calvin Klein's campaigns.
I got to train with some of the best and have critics like Oscar de la Renta and Calvin Klein. As a student under Calvin Klein, my project was to make a coat, and then years later, I was hired at Calvin, by Calvin, to design coats for him. It came full circle!
I would never rep Versace. I can't stand her. I think she makes disgusting clothes. Calvin [Klein] is like, snore! Who wears Calvin Klein? I'm not dissing him. I think he's built an amazing, respectable business, but I would never want to work for Calvin Klein, ever.
Of course, we always get references from the past, but that doesn't mean that the clothes have to look like the past. We need to look forward, which is why I'm fascinated by new materials, technologies, techniques, and unusual ways to use colors or textures. It's very applicable to Calvin Klein because Calvin Klein has always been about modern-ness.
You can't compare us, but I do think that Calvin Klein influenced his way of working. Calvin created this whole aesthetic with imagery - the whole sex thing. I can see that Calvin influence on his work. What Calvin has created is untouchable. My legacy, whatever it is I'm doing here, is miniscule compared to what he has done. It's just like an update deal.
I own more pairs of Calvin Klein underwear than I can count. At any given time, I probably have 50 to 60 pairs on deck. I travel with an entire suitcase of underwear and t-shirts, and they're all Calvin Klein.
There are many things Calvin Klein would have never done - he would have never put men in leggings in a show; he would have never done a fluorescent suit - but these are things that are right for the moment. For example, a fluorescent suit is graphic, and Calvin Klein is about being graphic. And Calvin Klein is always modern at its core, so I inject my own research and my own innovation, and I make it my own. But I never deny that core, because that would be stupid.
I had wanted to be a Calvin Klein model since I was 17. Marky Mark in his Calvin Kleins was the epitome of male sexuality. That was something I worked for.
I have a tweet that said, 'I want to be a Calvin Klein model,' and that was in 2011. And then I modeled for Calvin Klein. And then I had a tweet like, 'I wonder what it's like to be in front of thousands of fans,' and I've been in front of thousands of fans.
I see the Calvin Klein girl as strong, fun, and confident.
I don't know if I've got swept up. It's so shocking when you hear that Calvin Klein wants you for their new campaign. You're like "who me?". I guess you have to decide where you draw the line between you saying, this is fun, pretty and fabulous, and being over-exposed.
I have made things for Calvin Klein and other designers, and it's interesting to see the way each person approaches it.
I hated suits until I wore a Calvin Klein; they just fit me.
If anything, Calvin Klein is the iconic company in terms of fashion. They do have iconic images for their campaigns.
I think Calvin [Klein] is a minimalist.
When I was the first time for a job in New York, I saw Natalia Vodianova on an oversized billboard in Times Square on a Calvin Klein billboard.
If I ever modelled for Calvin Klein I'd give myself to a flock of fans to beat me silly with a baseball bat.
This site uses cookies to ensure you get the best experience. More info...
Got it!