A Quote by Itzhak Perlman
Only one of my grandchildren is serious about a musical instrument. The others dabble in it.
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With music, you could stick someone with a musical instrument or even not a musical instrument, get them to showcase their talent, and within 30 seconds you could tell whether they were good or not, but with acting you have to give them the right part.
I regard myself as a beautiful musical instrument, and my role is to contribute that instrument to scripts worthy of it.
I play a musical instrument a little, but only for my own amazement.
The clarinet is a musical instrument the only thing worse than which is two.
My reading of serious books about serious music is seriously compromised by the way that I can't understand any musical theory. Any mentions of D major or C minor are meaningless to me.
My musical instrument is Hebrew and, to me, this is the most important fact about my writing.
What's great about acting is that there's never a moment when you're like, 'OK, I got this, I understand this.' You're portraying life, and it's a craft that only gets better with time - kind of like playing a musical instrument: the more you get to play it, the better you are.
Growing up, I didn't come from a musical family. Neither of my parents played an instrument, sang out loud, or listened to the radio with frequency. The record collection in the living room was only about 2 feet long - and that included 4 solid inches of Neil Diamond and Herb Alpert.
I think of music a lot when I paint. The theme of it to a degree is music. So instead of literally putting in music or literally putting in a musical instrument, I use only a hint of the instrument, but the brocaded pattern is like a line of Bach because of its order and the leaves going up are like passages from Vivaldi, and the emphasis on drapery is where the sound comes.
I didn't really know a lot of the history when I was younger. I didn't realize that the harp is coded in such a specific way in musical circles. It's kind of this society instrument because of its history as a young woman's parlor instrument.
I had grown up among engineers, and I could remember the engineers of the twenties very well indeed: their open, shining intellects, their free and gentle humor, their agility and breadth of thought, the ease with which they shifted from one engineering field to another, and, for that matter, from technology to social concerns and art. Then, too, they personified good manners and delicacy of taste; well-bred speech that flowed evenly and was free of uncultured words; one of them might play a musical instrument, another dabble in painting; and their faces always bore a spiritual imprint.
It's easy to play any musical instrument: all you have to do is touch the right key at the right time and the instrument will play itself.
Mr. Bush has squandered the hard-built paternity of 40 years. But so has the party, and so have its leaders. If they had pushed away for serious reasons, they could have separated the party's fortunes from the president's. This would have left a painfully broken party, but they wouldn't be left with a ruined brand,- as they all say, speaking the language of marketing. And they speak that language because they are marketers, not thinkers. Not serious about policy. Not serious about ideas. And not serious about leadership, only followership.
The text for me is the musical score. I'm the instrument. My voice is the instrument. My voice is articulating the sounds which are coming through the imaginings and visitations in my head, and I'm making these sounds but I've selected them from an ocean of sound.
We need to get serious about defeating ISIS; we just aren't serious about it yet. I would be very serious about getting it done. I know how to do it. We need to take the fight to them on the battlefield in a more serious way.
I got serious about performing, and I got serious about acting. It's very funny; singing has always been a very separate thing for me - until I went to college. I just studied musical theater because I was like, 'That means I can study voice and acting in the same major, and I won't have to double major.' Now I do musicals for a living.
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