A Quote by Ivan Albright

A color is as strong as the impression it creates. — © Ivan Albright
A color is as strong as the impression it creates.
Sometimes one creates a dynamic impression by saying something, and sometimes one creates as significant an impression by remaining silent.
In nature, light creates the color. In the picture, color creates the light.
The artist gazes upon a reality and creates his own impression. The viewer gazes upon the impression and creates his own reality.
Eyeliner is a go-to for me, and gold has always been a color that I really like. It's reminiscent of a lion; it's a strong color.
The pretended admission of a fault on our part creates an excellent impression.
For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go.
Light and color are closely linked. The colors can make a crucial change in nature, if you switch from daylight to artificial light or just from strong to weak illumination. In addition, color perception is affected by the material structure. Even if a piece of textile can have the same color as a shiny enamel plate, then they will act completely different.
The first impression that I liked doing was an impression of Cheri Oteri's Barbara Walters impression on 'SNL.' I found that I could mimic that pretty well, and people got a kick out of that.
Black and white creates a strange dreamscape that color never can.
One of the proud joys of the man of letters - if that man of letters is an artist - is to feel within himself the power to immortalize at will anything he chooses to immortalize. Insignificant though he may be, he is conscious of possessing a creative divinity. God creates lives; the man of imagination creates fictional lives which may make a profound and as it were more living impression on the world's memory.
By using patches of color and tone it is possible to capture every natural impression in the simplest way, freshly and immediately.
A woman with eyes only for one person, or with eyes always averted from him, creates exactly the same impression.
The easiest approach to any strong color is to use a lot of it, thus unifying a room. However, beware of too many strong colors unless you happen to like living on a battlefield.
I always choose strong, direct backlighting that creates patterns of intricate abstract shadows. These shadows become strong design elements that lie across and touch other objects in the set up.
Dark green is my favorite color. It's the color of nature and the color of money and the color of moss!
A very beautiful woman hardly ever leaves a clear-cut impression of features and shape in the memory: usually there remains only an aura of living color
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