A Quote by Ivan Chtcheglov
We are bored in the city, there is no longer any Temple of the Sun. Between the legs of the women walking by, the dadaists imagined a monkey wrench and the surrealists a crystal cup. That's lost. We know how to read every promise in faces-the latest stage of morphology. The poetry of the billboards lasted twenty years. We are bored in the city, we really have to strain to still discover mysteries on the sidewalk billboards, the latest state of humor and poetry.
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We are bored in the city, there is no longer any Temple of the Sun.
I have just been to a city in the West, a city full of poets, a city they have made safe for poets. The whole city is so lovely that you do not have to write it up to make it poetry; it is ready-made for you. But, I don't know - the poetry written in that city might not seem like poetry if read outside of the city. It would be like the jokes made when you were drunk; you have to get drunk again to appreciate them.
I'm pretty much all for poetry in public places - poetry on buses, poetry on subways, on billboards, on cereal boxes.
According to one critic, my works looked like scraped billboards. I went to look at the billboards and decided that more billboards should be scraped.
[Osip] Mandelstam, who wasn't a political thinker, loved the idea of the city-state. One of the emblems in his poetry of the politics he imagined, over and against the universalizing politics of [Carl] Marx, was the medieval city of Novgorod, which had in its center a public well where the water was free to everyone. That became for him a figure of justice.
You live in the city and all the time there are signs telling you what to do and billboards trying to sell you something.
The most important quote about poetry and politics that I know is from a different situationist, Guy Debord. He was locked in a debate with the French Surrealists, many of whom by the 40s and 50s were part of the French communist party apparatus. Many Surrealists eventually argued for instrumentalizing art for political ends. Debord countered, "I don't want to put poetry in the service of revolution. I want to put revolution in the service of poetry".
The street is the most impactful for me really, always, and the Internet. I guess I'd like to sell some more light pieces so I can rent some more billboards; that's my only ambition in life really. Then I'd like to save up some money so I can buy a very simple wooden house, and then after that I'd like to start buying billboards. I'd like to buy a bunch of billboards in different cities so we owned them and I could give them to Occupy to tell the truth with.
I grew up in a city, I'm a city person - I go on holiday and I'm bored.
I read poetry every day. I love the boiled down essence of poetry. I look for poetry in prose. In a way that evocative.
I've really gotten into fashion, and ever since I got into the NBA, I feel like players are walking billboards.
I recommend learning how to come into the presence of stillness and vastness. Learn any form of meditation. Spend twenty minutes every day if possible, in meditation, listening to the crazy monkey mind inside you, and learning how to still the thoughts and discover that big, deep soulful part of yourself.
Any reflection about poetry should begin, or end, with this question: who and how many read poetry books?
People say, 'Why is he bored with her?' Because he's a human being, that's why; same way his wife is bored with him. That is marriage - anything that's supposed to be forever, your going to get bored with it. And there is nothing wrong with it, so don't take it personal; if you are with somebody for ten years and they are not bored with you? Then something is wrong with them.
Poetry is like walking along a little, tiny, narrow ridge up on a precipice. You never know the next step, whether there's going to be a plunge. I think poetry is dangerous. There's nothing mild and predictable about poetry.
As for the differences between audio and the printed page, the sonic aspects of poetry are important to me. I read my poems aloud to myself as I'm composing them. And I enjoy reading to an audience. I think people get tone more easily when they hear a writer read her work. Some people have told me they hear more humor in my poems at a live reading than when they see them on the page. I think that may be a matter of pacing. On the other hand, I've listened to a lot of poetry readings and I know how much you can miss. If you stop to really register one line, you miss the next three or so.
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