A Quote by Ivan Moody
I want people to hear my lyrics and my melodies and say, 'That dude's in pain.'
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We start a lot with melodies and instrumentation and trying to figure out good melodies for verses and choruses. We get to lyrics sometimes second, so we'll start humming a melody, finding something, and see where the music takes you as far as lyrics are and what you want to say and go from there.
When people hear sing-songy melodies, they think the lyrics will be nice, too. I guess there's a depressing or psychotic side to my personality that pops out in the lyrics.
Jim had melodies as well as words. He didn't know how to play a chord on any instrument, but he had melodies in his head. To remember the lyrics he would think of melodies and then they would stay in his head. He had melodies and lyrics in his head, and he would sing them a cappella, and we would eke out the arrangements.
When you hear my lyrics, you hear the shots that I throw at people. I throw shots because I always been the underdog. I got rejected so many times, and I say it in my lyrics constantly.
If you can say the lyrics almost like a poem and they stand up, that's a great thing. Some songs have great lyrics and I don't like the melodies, and vice versa.
Every time I get up in the morning, melodies occur to me and I start trying to shape lyrics to melodies.
There is a great temptation with songs, melodies and lyrics to overcomplicate them but in fact, you find that the most enduring melodies are often the simplest.
When I hear someone, instantaneously, I'm like, 'Who's singing?' You're giving people so much of yourself, and my voice is the most natural, distinctive tool I have. It's up to me to express myself on a wider scale than just writing vocal melodies and lyrics.
People are always asking me what my lyrics mean. Does it mean this, does it mean that, that's all anybody wants to know. F**k them, darling. I say what any decent poet would say if you dared ask him to analyze his work: If you see it, dear, then it's there. ... I think my melodies are superior to my lyrics. ... I was never too keen on the British music press. They've called us a supermarket hype, and they used to suggest that we didn't write our own songs.
The trouble is, most people are not so generous. Everybody wants love for themselves. I hear this all the time from the women I work with. I hear them say, "I want, I want." I never hear them saying what they want to give.
I first write melodies that will make people shiver, and then, I add the lyrics.
I've always had an ear for melodies, and they veer pop. My lyrics are more country - what I love is the storytelling and the structure, how tight the rhymes can be. But pop melodies have always been intrinsically linked to my writing style.
I write for myself; I'm trying to keep myself interested in the music. But at the same time, I want to make the songs relatable in a way; I want to keep melodies pretty simple and the lyrics open-ended so that people could maybe relate them to their own life in different ways. Something for everybody to have a piece of.
In my comedy, I'm not always trying to say something, but when I'm playing a creepy dude, you're laughing because you know that creepy dude. You've heard that dude say something awful, and I'm just putting a little creative spin on it.
Pretty much any given day, barring some major distraction, I get melodies coming to me. Lyrics don't come quite as easily. So I've been inventing little projects and challenges to sort of kick my ass with the lyrics.
Yeah, leading an examined life, I always say, is a pain in the ass. It adds an element of complexity to business that most businessmen don't want to hear about. They just want to call a fabric manufacturer, and say, "Hey, give us 10,000 yards of shirting."
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