A Quote by Ivan Reitman
I believe that improvisation is really just a directorial tool. It's a writing tool. It's not so much that the actors get to say whatever they want, whatever pops into their head. It's an opportunity to write the last draft of the screenplay as you're working on it.
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I believe that improvisation is really just a directorial tool. It's a writing tool.
I never sit down to write. When I'm moved, I do it. I just wait for it to come. You just hear it. I can't really describe writing. It's in my head. I don't think about the styles. I write whatever comes out and I use whatever kind of instrumentation works for those songs...A lot of people don't listen to the lyrics, really. A lot of people pretty much only listen to the chorus.
I think romance is a tool, comedy is a tool and drama is a tool. I really just want to tell stories that challenge the viewer, move people, make you laugh, perhaps push an idea about being open-minded but never settle on a genre or an opinion. I hate genre. I like movies that are original in their approach.
Most of the parts are really gone over and over and over again with Tool. It's a very composed situation. We spend weeks if not months working on all those songs. There's not much room for improvisation.
I never go online on my iPhone. Sometimes I'm tempted but I remind myself and the kids - it's a tool. Use it as a tool. You're not the tool. My iPhone, 85% of the time I'm writing down ideas.
I like to create whatever that pops up in my head, bring whatever idea to life.
Technology is a wonderful tool, but also if used incorrectly a horrible tool. We're fascinated by all aspects of it, whatever makes our human lives easier on the planet, but eventually there will have to be some sort of merger. The fascination isn't going to die down.
'The Franchise' is that guy that never had an off switch. Whatever pops into his head, he says. Whatever he wants to do, he does.
Improvisation, the main thing is it teaches you to be in the moment and present in the moment and be reactive and proactive for what's going on. Someone gives you something - a lot of actors are a little shut off, so they're just doing, "This is my character, these are my lines, I'm going to just send it to you then you send whatever you're sending." Improvisation teaches you to really be listening.
There are a lot of actors who will watch the monitors. They'll do a scene, and then the director will look back to see if he got whatever he wanted. I just find it odd to sit there and watch yourself. But if you can be objective, I can see how it's really useful as a tool, especially if you're doing something physical.
The Internet is a tool, a technology, and we like to say that it has all of these properties, but really, it's just a place where our writing is.
Music is a tool. Lighting is a tool. Power point is a tool. Getting those things right is not the goal. God is the goal. Those are just tools. And we can real easily turn into worshippers of all the tools, rather than remembering that this is simply a tool to get the job done which is to help connect people with God and to help inspire people.
Good actors never use the script unless it's amazing writing. All the good actors I've worked with, they all say whatever they want to say.
I don't understand why one should be one thing or the other. Writing, to me, is writing is writing. It should be a flexible tool. Whatever skills I have, have to work for me; I won't be dictated by them.
I don't 'handle' people. It's so much easier to manipulate actors than to really have an earnest discussion with them. It's very easy to say whatever's going to appease them and then turn around and do whatever you want to do. It's difficult to be forthright with people, because the job does not lend itself to that.
If you really want to act, I say get in class. Every kind of class. Put as many tools in that tool belt, because once you get out there, the real world doesn't sugarcoat much!
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