A Quote by Ivan Reitman
I don't think there will be another Ghostbusters. I think we're all too old to do it. I think we've done it a couple times and there is not that much to get out of it, to do that would be fresh in it.
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Would I love to go and get out of here and have a couple of months preparing, I don't know, anywhere in sunshine? Yes. But I think while I'm under employment with Chelsea, I think to talk about another job, even if it was short-term, and I haven't been asked, I think it is so disrespectful.
I think I probably have a creepy kind of scary quality. Otherwise, I wouldn't get jobs. But I also think it has a little bit to do with, you've done it a couple times, and then people see you that way.
There will always be times where you think, 'What went wrong? Why wasn't that one more popular?' You can't always figure that out, especially if you think you've done the best job you can do and was interesting to you. I mean, 'My Soul to Take,' I thought should have done much better, and I still like that film a lot.
Getting the message out there to speak out is huge, and I think you can be the brightest person in the room, but people never know what's going on really inside and the hardest thing is to speak out. You've got to speak out. I think sometimes you maybe hold it all in and it can get too much at times.
It's fun for me to couple emotion with comedy. I think it helps comedy. I think a lot of times American comedies don't play on emotion too much.
I think my real fear is that I will get to old age and think I spent too much time concerned about the way that I look and other bullshit. That's really a fear of mine.
No, I don't think a 68-year-old copywriter . . . can write with the kids. That he's as creative. That he's as fresh. But he may be a better surgeon. His ad may not be quite as fresh and glowing as the Madison Ave. fraternity would like to see it be, and yet he might write an ad that will produce five times the sales. And that's the name of the game, isn't it?
Things have not changed as much as we would like to think they have. Or maybe we're just in another one of the divided moments in the country. The late '60s certainly was one of them, the Civil War being another, but I'm hard-pressed to think of too many.
I'm not a big believer in doing too much research - I think you can get lost in it. You can get constrained by it, which I think is a mistake. But if you've done your homework, the audience feels it.
I built the windmill 30 years ago in Tefen, and I think it was the right thing to build at that time, and I don't think that we did much with the solar or with windmills. Not much was done. I think we were too busy.
Each couple's version of intimacy is so fascinating to me. A friend will tell me about her marriage, and I'll think, 'Yikes, they have horrible communication! They're going to get divorced!' And then I'll hear about them at another time and think, 'Wow, they love each other so much!'
I don't think my writing has much to do with my age. For me, my biography is more about what I was reading at what age. It's more of an intellectual thing of wanting to be free to write and think without being too bound by categorisation. I don't think I'm made for these times; I feel more like an old-fashioned writer.
I think my biggest problem, though, at least in drafts, is not repeating myself. After eight books I get worried that a character or piece of dialog might be too much like something I've already done. So it's a challenge to keep it fresh.
I think Australians are rightly suspicious of people who will try and use religion for another end. I don't think that's right and I don't think it should be done, but I think it should inform values, and it does.
I do get bottled up in interviews. You're thinking about what you're saying, and suddenly you get all tangled. So people think I'm sullen, or that I don't have much to say. But my friends will tell you: a lot of times I talk too much.
I think when you're writing films that just come fresh out of your own imagination - I think probably anyone who's done that, there are certain themes or styles.
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