A Quote by Ivan Reitman

Well, actually, I did start out in comedies. Very, very early. — © Ivan Reitman
Well, actually, I did start out in comedies. Very, very early.
I've been in very few flat-out comedies. But I feel like I've always made comedies.
Some of our early work was two minutes twenty when it actually came out on vinyl, very, very, very short. Sometimes if you made a three-minute record they would make you do an edited version for radio, particularly in America.
I simply love Wagner's music. That actually started very early. He was the first composer I was exposed very much to because my parents introduced me to Wagner's music very early.
It's really interesting - I wanted to become an actress when I was young because I wanted to do romantic comedy. And I did a lot of comedies very early on, but then my career took kind of a left turn with Joss Whedon, and I discovered that doing genre work is actually more interesting as an actor, because the given circumstances are more extreme. And it really is creatively more challenging.
I actually love Scorsese comedies. He's an underrated comedy director. I think his comedies are some of the best comedies ever made.
I had very little going for me as a kid except for the fact that I had demanding parents and was very good at filling out bubbles on standardized tests. I went to the Center for Talented Youth at Johns Hopkins University because I did well on the SAT. I went to Exeter because I did well on the SAT.
Early on in my career, when I had basically been a sitcom actor for all of these years, and I made my first movies, and they were comedies, and they were successes, it was very important for me to stretch, and 'Parenthood' was one of those films. Even though it was a comedy, there was a great deal of authentic drama in the piece as well.
Well, actually I think it's very important with breeding thoroughbreds - which I did for a period - and my husband is head of the Kennel Club, and it's very important with dogs and horses, because otherwise things go wrong in the competitions.
It is very hard leaving home for life on the road. The toll that it takes is actually immeasurable, and you can think all you want about what it does to your relationships, but the way it actually plays out is very deep and very unique to those personalities that are involved.
I was taught very well. My mom raised me very well, and so did my dad. I've been very blessed to have great parents that cared about me.
I was very lucky to be born into a very academic family. I was well-read, well-trained in mathematics. I had lots of advantages to start with.
It's been a wild ride. I hope people can appreciate how special it is to see the people that ran well today; how special and sometimes fleeting greatness can be even from yourself. I gave it everything I had and for a short period of time I did very very well and I'm very proud of that and I'm leaving it at that. I did the best I could.
We knew, very early on, that we had to be very, very clear that directors need to speak to actors and actresses and be very clear about what is expected, and find out whether they're comfortable with that. Wardrobe has to be in place. There have to be checks.
I've always been honest with all my kids. So I - if they did well, they did well. And if they didn't, actually, I asked, did you try your best? And if they tried their best, then, you know, I back out because I expect them to be honest with me or with themselves. And I can't make you go out there and work out hard.
I kept being told, 'If you really want to build a start up, you have to be in San Francisco,' so I ended up taking out a suitcase. It did occur to me to do it in London but it's very, very difficult to build a start up in London - so I guess I was being lazy.
Those 20 silents we made grossed a few million each and the early sound pictures did very well.
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