A Quote by Ivan Turgenev

It's all romanticism, nonsense, rottenness, art. — © Ivan Turgenev
It's all romanticism, nonsense, rottenness, art.
Romanticism was more than merely an alternative to a sterile classicism; romanticism made possible, especially in art, a great expansion of the human consciousness.
Depression presents itself as a realism regarding the rottenness of the world in general and the rottenness of your life in particular.
Depression presents itself as a realism regarding the rottenness of the world in general and the rottenness of your life in particular. But the realism is merely a mask for depression's actual essence, which is an overwhelming estrangement from humanity. The more persuaded you are of your unique access to the rottenness, the more afraid you become of engaging with the world; and the less you engage with the world, the more perfidiously happy-faced the rest of humanity seems for continuing to engage with it.
Criticism talks a good deal of nonsense, but even its nonsense is a useful force. It keeps the question of art before the world, insists upon its importance.
Italy is the home of art and swindling; home of religion and moral rottenness
The modern clercs have created in so-called cultivated society a positive romanticism of harshness. The have also created a romanticism of contempt.
The North American intellectual tradition began, I maintain, in the encounter of British Romanticism with assertive, pragmatic North American English - the Protestant plain style in both the U.S. and Canada, with its no-nonsense Scottish immigrants.
There's huge amounts of nonsense that goes with everything surrounding music and art. All the things you have to do promote yourself - there's huge amounts of nonsense.
Liberals and leftists are not wrong in describing romanticism as reactionary, because it did indeed become that after 1810. The problem is that they make that description true of the movement as a whole, as if romanticism were essentially reactionary.
I had been struck by the analogy between neurosis and romanticism. Romanticism was truly a parallel to neurosis. It demanded of reality an illusory world, love, an absolute which it could never obtain, and thus destroyed itself by the dream.
Now the basic impulse behind existentialism is optimistic, very much like the impulse behind all science. Existentialism is romanticism, and romanticism is the feeling that man is not the mere he has always taken himself for. Romanticism began as a tremendous surge of optimism about the stature of man. Its aim - like that of science - was to raise man above the muddled feelings and impulses of his everyday humanity, and to make him a god-like observer of human existence.
If you're doing nonsense it has to be rather awful, because there'd be no point. I'm trying to think if there's sunny nonsense. Sunny, funny nonsense for children — oh, how boring, boring, boring. As Schubert said, there is no happy music. And that's true, there really isn't. And there's probably no happy nonsense, either.
Talking nonsense is the sole privilege mankind possesses over the other organisms. It's by talking nonsense that one gets to the truth! I talk nonsense, therefore I'm human
Modern" poetry is, essentially, an extension of romanticism; it is what romantic poetry wishes or finds it necessary to become. It is the end product of romanticism, all past and no future; it is impossible to go further by any extrapolation of the process by which we have arrived, and certainly it is impossible to remain where we are who could endure a century of transition ?
The most serious parody I have ever heard was this: In the beginning was nonsense, and the nonsense was with God, and the nonsense was God.
What is modern art but the attempt to pinpoint vague, incorporeal, inexpressible sensations? What is modern art, I would add, but the most solemn pile of nonsense that ever appeared on Earth?
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