A Quote by Ivar Giaever
To me the greatest moment in an experiment is always just before I learn whether the particular idea is a good or a bad one. Thus even a failure is exciting, and most of my ideas have of course been wrong.
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There's this famous observation that I totally believe: Great startup ideas are the ones that lie in the intersection of the Venn diagram of 'is a good idea' and 'looks like a bad idea.' So you want most people to think it's a bad idea and thus not compete with you until you get giant. But for it to secretly be good.
It's only through effort that we learn what an idea actually is, and if our passion for it will last or fade. There is no shame in failure - all makers fail. But it's hard to respect someone who never tries, even once, to do something good that's always on their mind. If you're worried about how good your idea is, you're worrying about the wrong thing.
I think drawing is really the basis of all art, even sculpture, film. The greatest filmmakers have always been able to at least roughly sketch out their ideas in storyboards. And black and white in particular is a good place to start.
Potential does not always ensure success. The greatest players have not always been the most endowed. In athletics, we often hear the phrase, "He has the will to win". I think this is wrong. We can have the greatest will to do well. But unless we have prepared, it is of little use. Really, it should be the "will to prepare". Those who succeed have this will, whether it be in athletics, whether it be in school, whether it be in their chosen vocation, whether it be on a mission, or in almost any other phase of their life.
My intentions have been, and are always, to just really get behind what my ideas are musically and to just ride this thing out, cause it feels good, and I think for the most part it's good music. Even when it's not, I'd like to still search for something that could be even like a little bit mind-blowing or shocking to me.
It's not that I don't know that it's a bad idea. It's that, lately, bad ideas have a particular hold over me.
The TV scientist who mutters sadly, "The experiment is a failure; we have failed to achieve what we had hoped for," is suffering mainly from a bad script writer. An experiment is never a failure solely because it fails to achieve predicted results. An experiment is a failure only when it also fails adequately to test the hypothesis in question, when the data it produces don't prove anything one way or another.
You must be ready to give up even the most attractive ideas when experiment shows them to be wrong.
Perfectionist is sometimes the wrong word... It means like you're never satisfied, or you're upset by every single failure - any type of failure. And so for me, I don't look at failure as necessarily a bad thing as long as I'm able to learn from it and take something from it, so that next time I'm in that situation I know how to succeed.
Certainly we're always rooting for our particular contingent moment to be a great one. Pain-free. But the more expansive vision has to include the idea that, even for us, sometimes our particular contingent moment is going to be horrific.
If you want to have good ideas you must have many ideas. Most of them will be wrong, and what you have to learn is which ones to throw away.
I've been in some seriously bad places playing golf and it's just part of the game. You're going to hit bad shots, you're going to be in bad spots, and each course, when you learn it, you learn where not to go.
Writin songs is like a mystery. The most difficult thing to do is have a good idea. If you have a decent idea, the songs are the easy part. Actually having something to say is the hard part. If you get an idea for a song, then it pulls you along. There are just some ideas that you get that are really hard to edit out; it's hard to stop thinking about some bad ideas. So you just finish it and you end up putting it on a record.
I am interested in the possibility that we are going to be wrong in the same way that history has indicated that mankind always is. It seems as though the history of ideas is the history of being wrong. And to me, that is a kind of continuum. It's a continual path that shows we don't always know something, but we're always shifting to a path that makes us feel more comfortable in the moment, even if that shift is wrong, and a new shift is destined to happen again.
We should invest in people not ideas. A good idea is often destroyed by bad people and good people can always make a bad idea better.
The value and utility of any experiment are determined by the fitness of the material to the purpose for which it is used, and thus in the case before us it cannot be immaterial what plants are subjected to experiment and in what manner such experiment is conducted.
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