A Quote by Ivor Novello
We were asked to believe that the variety and the novelty of even the crude films of the early days would provide a means of entertainment which would cut out the stage.
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When I started acting, I did many films without even an idea of what the script was about. The film would start, and then we would discover what we were expected to do on the sets. Those days have changed.
There were a lot more girls at the shows early on. I'd get off stage and there would be options. Those days are long gone, thank god.
Architectural features of true democratic ground-freedom would rise naturally from topography, which means that buildings would all take on the nature and character of the ground on which in endless variety they would stand and be component part.
As sonic journalists, we were increasingly becoming bombarded with global images. It was the early idea of the cut-up, the idea of images being juxtapositioned, which we were doing with sound. That was the early days of samples.
In 'The Next Three Days,' even though it was a prison breakout movie, I was asking myself, 'What would I do? How far would I go for the woman I loved? How far would I go, and what would I do when the person then told me that they were guilty? Could I still believe in them?' So it was very personal.
I remember walking through Romford with my sister and I had my bald head and people would stare. My sister would get upset about it and ask people what they were looking at. Now, I've got to the stage that I don't even bother shaving it some days.
I started as a child artist, and not as a heroine, as most would think. I was performing on stage once when the late Bimal Roy saw me and asked me if I would work in films. I was too tiny. Without realising, I just said yes.
It by no means follows, that because two men utter the same words, they have precisely the same idea which they mean to express: language is inadequate to the variety of ideas which are conceived by different minds, and which, could they be expressed, would produce a new variety of characteristic differences between man and man.
I would want to create an amphitheater outside of California where I would play everyday, and then people would have to come to me. I would create all this crazy stage decor and film it. Or I would just stay inside my home and do films. I would be like the modern Maya Deren.
I think I would not be who I am if I did not have experience both as an audience and as a performer in those early days of my career. It taught me what entertainment is all about.
Even at this stage, my preparations were like strapping on a parachute in an airplane that was about to crash; the whole time I was preparing to hurl myself out the door, I clung to the hope that something would happen at the last minute to forestall that terrible necessity I felt-not hostility, as psychiatric texts would say, or vengeful rage, or a desire for attention. This was done in secret, out of a need to alleviate pain which was as implacable as thirst.
I always loved celluloid cameras in the early days that were sturdy and reliable. Even under tropical conditions and downpour of rain, it would still work.
I'm glad I was born when I was. My time was the golden age of variety. If I were starting out again now, maybe things would happen for me, but it certainly would not be on a variety show with 28 musicians, 12 dancers, two major guest stars, 50 costumes a week by Bob Mackie - the networks just wouldn't spend the money today.
I'm glad I was born when I was. My time was the golden age of variety. If I were starting out again now, maybe things would happen for me, but it certainly would not be on a variety show with 28 musicians, 12 dancers, two major guest stars, 50 costumes a week by Bob Mackie. The networks just wouldn't spend the money today.
'Crash' was incredibly personal to me. So was 'In the Valley of Elah.' There were things in 'The Next Three Days' that were questions I was asking myself but couldn't answer, like how far would you go for love? Can you believe in somebody who can't even believe in themselves? But this is highly personal.
In my books the technology that I choose to talk about has to serve the themes. What that means is that I end up having to cut out a lot of cool technology that would be really fun to describe and play with, but which would just confuse everybody. So in 'Amped,' I focus on neural implants.
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