A Quote by Ivor Novello

The crowd may be influenced easily, largely because it is a crowd. — © Ivor Novello
The crowd may be influenced easily, largely because it is a crowd.
I'm an outdoorsman kind of person, so I don't like the buzz of the crowd, crowd, crowd and all that so much. I mean I don't mind it, but I don't seek it out.
I love sports, but I don't like live sporting events, because I don't like sitting in the crowd. I like listening to records, but I don't like going to concerts, because I don't like standing in the crowd. I guess I just don't like being in the crowd itself.
You don't know what a rough crowd is. If all I have to do is go make people laugh, that's nothing. Let me tell you what a tough crowd is. A tough crowd is going to a morning service and you got six people there and you gotta pat your house payment. That's a tough crowd.
You don't know what a rough crowd is. If all I have to do is go make people laugh, that's nothing. Let me tell you what a tough crowd is. A tough crowd is going to a morning service and you got six people there and you gotta pay your house payment. That's a tough crowd.
I've come to the conclusion that athletes, when they say they miss the crowd, are not missing the sound of the crowd. What they're missing is the feeling inside that makes the crowd roar. It's not the roar of the crowd, it's the silence inside.
The crowd is a performer. En masse, a crowd has its own personality, its own character. And there are going to be nights when the crowd delivers a great performance. And there are going to be nights when the crowd bombs.
Whether I am performing for an elite crowd or a crowd of 20,000 people - the moment someone asks for 'Agneepath,' and I respond 'Agneepath' chahiye?' the noise in the crowd, shows that this song has become huge.
Defy the crowd. The crowd isn’t always wise. It can also lead you down a path of silliness, sub-optimal choices, and downright destruction. Enchantment is as necessary for people to diverge from a crowd as it is to get people to join one.
The Indian danced on alone. The crowd clapped up the beat. The Indian danced with a chair. The crowd went crazy. The band faded. The crowd cheered. The Indian held up his hands for silence as if to make a speech. Looking at the band and then the crowd, the Indian said, "Well, what're you waiting for? Let's DANCE.
I tend not to hang with 'the crowd' because I believe that at any given moment in history, the crowd is only standing somewhere because some lone, brave nutjob broke down the walls for them first.
Even in a given territory what would work in one city in front of one crowd might not work in front of another crowd. Every crowd is different in what they are looking for and what they'll respond to.
It's fun, and a laugh for you... you can boo me and feel happy about yourself because you're part of the crowd that did that. But deep down there were people in that crowd booing me because of my Aboriginality.
I try to call the play as quickly as I possibly can and then shut up and let the crowd roar because, to me, the crowd is the most wonderful thing in the whole world when it's making noise.
'The Villain' gets off on the idea of disgusting the crowd and then telling the crowd to keep the noise down while he does it. The reason it works is because it comes at a point in matches where the anxiety shows.
I can't really hear the audience applause when I'm on stage. I'm totally immersed in the piece. But sometimes I get a lot of it and wonder, "Now, why did they applaud here?" If it's a white crowd, they usually applaud because they think it's a pretty movement. If it's a black crowd, it's usually because they identify with the message.
Two different things: A crowd is a tribe without a leader. A crowd is a tribe without communication. Most organizations spend their time marketing to the crowd. Smart organizations assemble the tribe.
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