A Quote by Ivy Compton-Burnett

As regards plots I find real life no help at all. Real life seems to have no plots. — © Ivy Compton-Burnett
As regards plots I find real life no help at all. Real life seems to have no plots.
As regards plot I find real life no help at all. Real life seems to have no plots. And as I think a plot desirable and almost necessary, I have this extra grudge against life.
Real life seems to have no plots.
All the characters and plots were predetermined. Games make bad plots.
All plots tend to move deathward. This is the nature of plots.
These problems are real, and you can't turn off real life. So I won't try. Instead, I'll give you a set of tools to help you deal with real life.
Cartoons for girls don't have to be a puddle of smooshy, cutesy-wootsy, goody-two-shoeness. Girls like stories with real conflict; girls are smart enough to understand complex plots; girls aren't as easily frightened as everyone seems to think.
There are those who maintain that in this world women have no right to interfere in the affairs of state, in politics, in plots and counter-plots. Others that are who, more chivalrous, are willing to admit that women have as much right to act, think, and speak as men.
Edith Wharton was a natural story-teller. As plots do in real life, hers flow directly from character. Her prose is so effortlessly elegant that you're rarely aware as they purl by that the sentences are so pretty. More concerned with what is put than how it is put, she also understood that you only say anything at all when you say it well.
If the songs were in lumps, then you would expect to understand what was going on in the plot. Which is not a realistic goal. And also the instrumentation is different for every show, so it's more varied sonically. And people are free to make up their own plots, of course. There are pretty dense and complicated plots, and they're simple songs.
I have a split - of my real home-life side that's real-life, and then the creative side that is not necessarily real-life, but it intersects my real-life so much.
I'm real bent on dialogue. I'm just a little bit crazy and when you put that along with 20 years as a criminal lawyer, it's pretty easy to come up with some interesting plots.
Plots and character don't make life. Life is here and now, anytime you say the word, anytime you let her rip.
Plots behind plots, plans behind plans. There was always another secret.
As one of my creative writing professors once said, there are only seven plots. What makes those plots different is how you handle them, your voice, your style, and your way of thinking. That’s all. People can mimic your style, but they can never achieve your unique point of view.
In the movies, they make you look good and tough, but in real life, it's completely the opposite. I do these ueber roles, I think, because in real life I'm quite shy and reserved. In real life, I'm a dork.
To me, it all comes down to things being character-driven. It's hard for me to look beyond that. CG and all this cool stuff - so be it. But to me, it pretty much begins and ends with character-driven plots rather than technologically-driven plots.
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