A Quote by Ivy Meeropol

I care more about an agenda than story and character. — © Ivy Meeropol
I care more about an agenda than story and character.
I care more about making sure the story is correct and the characters are behaving in character than I do about the individual jokes.
I think it's really hard to make songs that pursue an agenda. You can kind of do it a little bit through a character, so the character gives voice to something or their story, the story of the character tells you something, but, for me anyway, it's really hard to write directly about politics.
A dream inspiring a story is different than placing a description of a dream in a story. When you describe a character's dream, it has to be sharper than reality in some way, and more meaningful. It has to somehow speak to plot, character, and all the rest. If you're writing something fantastical, it can be a really deadly choice because your story already has elements that can seem dreamlike.
It wasn't until 'Double Take' that I was in a movie as the leading man, in a character that was more straight and less broad than the other character, and where the story is really about him.
I'm not very good at story. In fact, compared to character and language, I barely care about story at all.
I want evangelicals to be known not for what they're against, but what they're for. Yes, there are some things that I believe are flat out wrong. There is no doubt about it, and I'm not wishy-washy about it. But my agenda is bigger than simply those issues. My agenda is to be as big as the agenda of Jesus.
There's nothing scarier than silence. A lot of horror movies lean on hits and score to try and create tension, which actually does the opposite. The best scares come from a desire to see the character overcome what they're dealing with in the scene. If you care about the character you'll care about the scare.
I prefer smaller movies because they tend to be more about character than about story.
I think the character does tend to suit an episodic thing, because what's fun about him is that he doesn't care about anyone else, and it's very difficult for a main character - a lead character - in a movie to not care about anybody else.
I never would rule out a great character or a great story. I don't care what the forum is. If I get to tell a story that I'm excited about, I'm in.
My character's kind of grown up with Katniss. The beginning of the story, they're more or less brother and sister than anything. They're best friends. They've been keeping each other alive. It's a little frustrating, for the character. As the character, not as me.
It's all about story and character with me, and I don't care if the job is on daytime or prime time or the web. Hey, give me a good character and someone to listen, and I'll do my acting on a street corner.
The story is the only thing that's important. Everything else will take care of itself. It's like what bowlers say. You hear writers talk about character or theme or mood or mode or tense or person. But bowlers say, if you make the spares, the strikes will take care of themselves. If you can tell a story, everything else becomes possible. But without story, nothing is possible, because nobody wants to hear about your sensitive characters if there's nothing happening in the story. And the same is true with mood. Story is the only thing that's important.
And so, however many people watch this thing, that's how many different opinions there will be about it. But I don't feel like it has an agenda in terms of its ideology. It just presents a story like a mirror. It's a mirror more than it is than a distorted mirror.
Sometimes it's less about the character and more about the story for me. I'll play a rock in the background if I think the story is fantastic and I can be a part of it somehow. That's what I look for.
I've always said the thing about MMA that a lot of fighters don't understand is people care more about the story, about why a fight's happening, than the actual fight.
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