A Quote by Iwan Rheon
I think drama school really teaches you how to annunciate; you're conscious that people might not understand you if you speak too fast and too Welsh.
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When you arrive in L.A. as an Englishman, you might as well be on the moon. People just don't understand you if you speak too fast, and most people there think you're Australian. Ordering was incredibly complicated. I was speechless.
I regret not paying a bit more attention to Welsh lessons at school. My Welsh is pretty ropey, as back at my school, people didn't take Welsh lessons seriously. My dad can speak it, so I wish he'd taught me some growing up.
I think I actually did a production of "Under Milkwood," this Welsh play, with my drama group (at school), and I always remember taking everything far too seriously, and that it wasn't just a hobby but something I wanted to keep on doing.
I just like watching people who really are not self-conscious, who aren't aware, because I fear that one could become too self-conscious, too artful, as an actor. Sometimes if you look at somebody, you can extrapolate from their exterior what might be happening in their interior. I'm nosy.
The way I work, and the material we work with, I think if you analyze too much and have too many specific ideas, it just becomes a little bit too superficial, and then performances might become too self-conscious and project relatively narrow things.
Nothing's ever too fast. Maybe sometimes on the road some people are too fast if they don't know how to control the car, but in racing, the faster and more power and grip, the better it is.
I've always felt very proud of Wales and being Welsh. People are a bit surprised when I say I'm Welsh. I was born in Wales, went to school in Wales and my mother was Welsh. I'm Welsh. It's my place of birth, my country.
Through improvisation, jazz teaches you about yourself. And through swing, it teaches you that other people are individuals too. It teaches you how to coordinate with them.
Recently an actor asked me to teach him how to speak fast. Wasn't I once criticised for speaking too fast? Now they're doing it my way.
"My swing is too fast" may be the biggest misconception ever. Think about it. If you take a fast, lousy swing and slow it down, all you've got left is a slow, lousy swing. Most people swing too slow, not too fast.
We accepted a definition of ourselves which confined the self to the source and to the limitations of conscious attention. This definition is miserably insufficient, for in fact we know how to grow brains and eyes, ears and fingers, hearts and bones, in just the same way that we know how to walk and breathe, talk and think - only we can't put it into words. Words are too slow and too clumsy for describing such things, and conscious attention is too narrow for keeping track of all their details.
We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch tv too much. We have multiplied our possessions but reduced our values. We talk too much, love too seldom, and hate too often. We've learned how to make a living but not a life. We've added years to life, not life to years.
I’ve got this tiny pang of regret when I think of how much I have probably missed out on in the last few years because I was too scared to take a risk, or too shy to speak up, or too worried to be bold.
There are a lot of people out there who are just bullies. They constantly keep telling you that you are too fat, too thin, your teeth are not fine, you can't speak English really well, and you are too short, etc.
We share our planet quite naturally with a permanent aeroplankton; a buoyant ecology too soft to hear, too small to see, but heavy with mood and meaning. Imagine being aware of all these airy inclusions - and you can begin to understand how it might feel to be able to smell really well.
It's really rare for people to have a successful start-up in this industry without a breakthrough product. I'll take it a step further. It has to be a radical product. It has to be something where, when people look at it, at first they say, 'I don't get it, I don't understand it. I think it's too weird, I think it's too unusual.'
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