A Quote by Iwan Rheon
I'd done two years on a soap opera where I was shooting things every day and they gave me a hard time about that, which I think is the wrong way to teach a young actor. They just made me really, really self-conscious about everything I did, which is the opposite of what you need to be when you're filming.
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The soap opera was so long ago - the thing about soap operas, and there's something to be said for doing it, but you do a script a day. I don't want to say it's a training ground; it really isn't, but what it does teach you is discipline.
One of the things about the six sixes, which really comes over me every time somebody asks a question or says to me, 'I've just seen them,' or people always ask me about it... It makes me feel that's the only thing I've ever done in the history of cricket.
When you work on a soap opera, that's three years of you working every day. There was no time to do anything other than the soap opera - you're locked in.
The first movie I really clicked with was 'Die Hard' when I was 6 years old, which is crazy that I was watching it that young. That was the one that made me want to become an actor.
The way I was grew up gave me a slight fearlessness and a sense of independence. There are things about it that have definitely informed me. And then, as a parent, it's done the opposite. It's made me feel much more protective. There are boundaries in my kids' lives that I don't think I had.
I didn't really make up my mind to be an actor until I did 'The Hitcher' with Rutger Hauer. I was about 17 or 18 when I did that, by which point I'd probably done a dozen or more movies or TV things, but 'The Hitcher' was the experience that made me want to study and commit and learn how to do this for my life.
I kind of went into soap opera with 'General Hospital' in the '80s. It's like theater because every day it's a new script, which really doesn't have a beginning, middle or end like a play or a movie script. So you have to be on your toes and bring it every day. And you have to be spontaneous, which is really how I like to work.
At this point, a lot of people have made their mind up about me one way or another. I'm sure there's a certain segment of writers who won't ever give me the time of day, hate me, don't get me, don't think I'm good, or whatever. I guess that's fine. It's only an opinion. There are other people who do get it, and can be objective. I could be wrong, but a lot of people, except for really young people, have made up their minds one way or the other.
I was 14, when I wanted to be an actor. My parents were basically like, "This is a very hard life, and you have to be really serious about it, and show us that you're serious about it. You can't drop out of school." They strongly encouraged me not to act professionally until I finished college, which I didn't. And I think they should have been horrified! It's a really hard life. I'd be really scared if I had a child who wanted to be an actor.
I think what really people want is just a few things done really, really well. And if you think about ever day of your life, the things you really appreciate aren't the complicated things. They're the simple things that work just the way you expect them to.
One of the roles I hold really close to my heart is a small "under-five" role I did on "The Young and the Restless." I think I did about four episodes and it meant so much to me, simply because it was my mom's all-time favorite soap.
I'm very conscious about the way I treat people because I was never really taught to treat people in a respectful or kind way. I never really saw that role model, so for me, that made me just want to be the opposite of what I had and treat people the opposite of the way I saw other people treat other people.
Ryerson helped me because I was around acting all the time. It was pretty much all I thought about, even if I didn't really get to practice every day; I definitely thought about it. Actually a lot of it was just sitting and watching, especially in my last year, but I think a good actor learns from everything.
What's funny about the slacker thing, people project an image of what they think a musician is: young, slack, unemployed - like a really romantic idea of a poet, writer or musician - which isn't really true a lot of the time. I don't reckon you would know anything about me if I wasn't moderately hard-working.
A lot of people seem to think that art or photography is about the way things look, or the surface of things. That's not what it's about for me. It's really about relationships and feelings...it's really hard for me to do commercial work because people kind of want me to do a Nan Goldin. They don't understand that it's not about a style or a look or a setup. It's about emotional obsession and empathy.
My dad abandoned me when I was about two years old. So, he wasn't around to protect me the way I needed to be protected. I started getting sexually abused from the time I was about five years old to the time I was ten. It really messed with my sense of self worth and my sense of all that was good with the world, almost.
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