A Quote by Izabella Scorupco
When I do something I give everything, so it has to be something that I really want to go for.
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Sometimes you give a person everything. You give them all of you. You give them everything you got, and they just don't want it, or that ain't your match. So now the next person, maybe that's really something special, but you not even acting like yourself.
We've always kind of tried to keep the mystique. We don't wanna give everybody everything. You give 'em too much, it's just white noise. When we do say something, we want it to be an event. When we go out and do things, we want it to be an event and kind of keep everything else behind closed doors.
I only want to do the kind of work that I would like to go and see, that`s going to teach me something new, that involves working with people I can learn something from and I can give something to.
I always feel like if someone has stage fright, I really try and say, "Listen, these people want you to succeed, they want to have a good evening. They want to see something really great. They don't want to see something crappy. They don't. They want to be at something really special."
Everything is possible. If you want something, give something.
I try to study the background of the country I am in and what were my hits there, so I can at least give them some of what they want. It's like a wedding - give them something old, something new, something borrowed and definitely something blue!
When you go to a studio with something you want to make, or they come to you with something they want to make, more often than not, it's a tent pole. Not something one single person is really passionate about on a creative level.
You have to decide if you want something stable and safe or if you want to take a risk and go outside the formula and try something new. That's everything that dance embodies.
If I read something great and I want to go after it, I go after it. You don't wait to see what Hollywood wants to do with you. You decide what you want to do. I don't mind fighting when I really want something.
It's great to want to be part of something, but it's a different thing completely to believe wholly in some type of movement, and to give everything for that something.
Everybody makes a decision about where they want their career to go. If I really want something, I put a lot of effort into it. If I don't want something, I won't.
I never could stand being forced to do something I didn't want to do at a time I didn't want to do it. Whenever I was able to do something I liked to do, though, when I wanted to do it, and the way I wanted to do it, I'd give it everything I had.
What makes a three-man booth challenging is everybody's gotta give up a little something. Right? Because normally you'd have one guy being the analyst, and he's got the ability to go at his own pace and do everything and break down everything, but when you've got two people, somebody's gotta give up a little something.
The fascinating thing about standard economic stories is exactly that: they assume that everybody wants that kind of closure. That all human relations are forms of exchange, because if everything is an exchange then it's true that we're both equals. We walk up, I give you something, you give me something, and we walk away. Or I give you something, you don't give me something right now, and you owe me. So if we have any ongoing relationships at all, it's because somebody is in debt.
I have a gut reaction to stuff that I read. Either it's a filmmaker that I really want to work with, or it's a story that I really want to be a part of and help serve, or there's a character that I feel I can bring something unique to. That's really what it's about. I would go crazy, if I just relied on the same tricks and did the same thing, all the time. It was just be no fun, at all. I really do need to try something different, every time out, and do something that scares me, a little bit.
You want to have a song that people will listen to and go, 'Oh, yeah! That reminds me of something in my life,' or, 'something I'm currently going through,' or maybe something happens later and you hear the song and go, 'Wow! That really was telling a story that I can relate to now.' That's my hope.
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