A Quote by J. August Richards
I think often times on Joss Whedon's shows he can make you hate a character for a period and then love the character. He does it effortlessly.
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Joss Whedon, he is really hands-on, and he wants every character to have a life on and off screen.
I've kind of learned this about Joss Whedon. Never say never. I've learned that. I also have another rule about Joss Whedon. Never say no. Just... whatever Joss Whedon wants to do, just do it.
There's a great line by Joss Whedon: "Make it dark, make it grim, make it tough, but then, for the love of God, tell a joke." Even for a reader, there's only so much punishment they can take. You've got to give them a break here and there.
I think every time you take a female character, a black character, a Hispanic character, a gay character, and make that the point of the character, you are minimalizing the character.
The more limitations you put on a character, often times the better a character you'll make them, the more interesting the story becomes because the character can't simply wave a hand and make something happen. They have to work within the framework.
The more limitations you put on a character often times the better a character you'll make them, the more interesting the story becomes because the character can't simply wave a hand and make something happen. They have to work within the framework.
Where does a character come from? Because a character, at the end of the day, a character will be the combination of the writing of the character, the voicing of the character, the personality of the character, and what the character looks like.
I think we can fairly conclude that writer-director Joss Whedon didn't make 'The Avengers' for me.
I think you should identify with your character, but plenty of people like themselves and hate themselves. You just have to find out what's truthful for the person you're playing. When people talk about that, I think what they're saying is that as an actor, as Peter, you don't want to make a judgment that comes from your worldview about the character. Your judgments should be coming from the place of the character, and within that space, sure, you could love or hate yourself or whatever you think is most appropriate.
But if you, as an independent filmmaker or a "serious" filmmaker, think you put more love into your characters than the Russo Brothers do Captain America, or Joss Whedon does the Hulk, or I do a talking raccoon, you are simply mistaken.
You have to make a choice, and you have to commit to a character. You're either a babyface or a character that the fans relate to, support, love and aspire to be, or you're not. And if you're not, you're a heel: you're despicable, and they need to learn to love to hate you.
I think Joss Whedon is a genius.
I would love to work with Joss Whedon again.
I do think that people get really emotionally involved in the TV shows that they love and I think that is fantastic. Of course they are going to have opinions. The other thing is that people project onto their television shows. They see a character and layer on many traits that are actually their own or their idea of what that character is.
The first thing that happens is the cleansing of the former character. I don't think a lot of actors talk about it, but there is usually a process where you essentially purge yourself of the character played prior to the movie. Then you want to think about what the character represents, and you write down all of the elements about this character and then take the time to find some synchronicity and start breathing the character.
A black character is much more than just a black character; he's a character, period. So show the world as it is. Even with all your artistic license, you make a political choice.
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