A Quote by J. B. Priestley

Accidents, try to change them - it's impossible. The accidental reveals man. — © J. B. Priestley
Accidents, try to change them - it's impossible. The accidental reveals man.
The accidental causes of science are only accidents relatively to the intelligence of a man.
The No. 1 cause of preventable death for young black men is not auto accidents or accidental drowning, but homicide.
Experience is not what happens to a man; it is what a man does with what happens to him. It is a gift for dealing with the accidents of existence, not the accidents themselves.
In the great and deep qualities of mind, heart, and soul, there is no change. Homer and Solomon speak to the same nature in man that is reached by Shakespeare and Lincoln. but in the accidents, the surroundings, the change is vast. All things now are mobile--movable.
If liberals can seize our guns because they are dangerous, we have no chance of holding on to our cars and our homes. The total number of accidental fatalities (the majority of which are hunting accidents) of all types of firearms is infinitesimal compared to the number of fatalities from car and home accidents. More children die from playing with cigarette lighters than from playing with loaded guns.
We have to get out of the mind-set of saying, "No matter how hard we try, we will have accidents," and into "We will not have accidents."
If you go around looking for accidents, asking for them, they can't be called accidents any more.
Accidents happen, whether they're car accidents, friendly fire, drug overdoses. Accidents happen, and they're tragic. It's like a bomb that goes off and pieces of shrapnel rip into the flesh of the family. It's the families that need the compassion, because everywhere they walk, every day, someone reminds them of their loss.
It is sometimes possible to change the attitudes of millions but impossible to change the attitude of one man.
As soon as you accept the accidental effects, they are no longer accidents. They are necessity the part of yourself that you could not expect or design beforehand. Thus the realm of your creativity grows wider.
My figures come and go, suggested by fortune or misfortune. I try to fix them divested of their apparent accidental quality.
When you try to portray people's lives, you try to make sure you don't portray them as clowns and that you give them a level of dignity. You don't try to change their persona, but you try to understand that they had unique problems, set in a century that you don't live.
The historical order is very interesting, but accidental and capricious; if we would to understand the growth of knowledge, we cannot be satisfied with accidents, we must explain how knowledge was gradually built up.
Musical accidents are a gold mine. The thing about accidental discoveries is they won't be made unless you put yourself in a position to make that discovery. To do that means hundreds of hours, days and weeks where you do things and don't discover anything.
There's a theory of accidents that I studied when I was making a film about nuclear weapons: you can never eliminate accidents, because the measures you introduce to prevent accidents actually produce more accidents. That's certainly true of this sport; you're flying over 40 feet of what might look like snow, but it's hard as ice, it's as hard as pavement. You're doing acrobatic spins and tricks, 40 feet above pavement, essentially. There's been more accidents since, and there are going to continue to be more accidents, that's the nature of the sport.
I'm just a careful person around wheels and stuff like that. I try to be as cautious as I can, cause I lost friends to motorcycle accidents and car accidents. So I don't ever play around anything like that.
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