A Quote by J. B. Smoove
I talked about everything, man. I've always written material that everyone can laugh at. I talked about growing up. I did a lot of physical comedy. That was my thing. I was a physical comedian. I did anything and everything from running on a treadmill, I can paint a picture on stage of anything.
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The interesting thing was we never talked about pottery. Bernard [Leach] talked about social issues; he talked about the world political situation, he talked about the economy, he talked about all kinds of things.
Some men and women are inquisitive about everything, they are always asking, if they see any one with anything they ask what is that thing, what is it you are carrying, what are you going to be doing with that thing, why have you that thing, where did you get that thing, how long will you have that thing, there are very many men and women who want to know about anything about everything.
I talked and talked of everything I know about the white man's inhuman treatment of the Negro.
I always say that, I never talked about the NBA, I never talked about anything because I was just playing basketball for fun. I didn't think about being a professional and I didn't even know you could be signed.
Fidel Castro just talked a long time, and he talked and he talked and he talked and he talked... and he talked during the meeting. I think it was about four hours. But I guess that's part of the Castro spirit.
It's really important to have role models, and a lot of the ancients always talked about this. Seneca talked about this, Aristotle talked about this, and in fact, this was my boxing coach's philosophy in college, was that you have to have role models.
My experience growing up in a rough and tumble town in the blue-collar world of Western Pennsylvania in the 1970s was that anything a man did was always more important than anything a woman did.
I talked with Tom Hanks. I saw that movie 'Turner and Hooch' at least 50 times. It took all my guts to go up to him. I went up to him, I was like, 'Can I have a picture?' We talked acting; he wanted to know what I was doing. We talked a little tennis. I mean, he knew all about myself and my sister.
I'm pretty much an open book. I've pretty much talked about anything I'm going through onstage. Between interviews and curious fans, I've been asked everything. And I always give answers. I don't shy away from anything.
When I began to think deeply about the metaphysics of love I talked with everyone around me about it. I talked to large audiences and even had wee one-on-one conversations with children about the way they think about love. I talked about love in every state, everywhere I traveled.
Neither of my parents are involved in politics or anything like that, but my dad is political, certainly, and we would have always talked about politics and religion and money, and all those things that you're not supposed to talk about at the dinner table, we did.
What's interesting about making art is that you take everything you know about it and you bring it up to that point, and you start making a physical thing that addresses what that is. And when you do it, you don't know anything about it - if it's going to work or not work.
During the campaign [Donald Trump] talked about reaching out to African- American voters in particular. He talked about inner cities in a way that did offend some people. Lot of Democrats. Some African- Americans of saying what have you got to lose.
When people talked about protecting their privacy when I was growing up, they were talking about protecting it from the government. They talked about unreasonable searches and seizures, about keeping the government out of their bedrooms.
Neck-down comedy was no longer valid after the 1980s alternative comedy revolution. Everything became about the cerebral. And with that came positive things - it helped get rid of some of the sexism and homophobia - but it also meant a lot of physical comedy was lost.
I don't think I did anything that my contemporaries didn't; it was just that I was the only one who talked about it. In the Sixties anyone who had a sense of style seemed to be gay. I wanted to indentify with that.
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