A Quote by J. B. Smoove
It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
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Sometimes I take a movie that I know is not great; it's not great on the page, but I need to work. Sometimes I need to make the money. I need dough. I want to work, and so I'll take something that is compromised in some arena. But it's like, actors gotta act.
It's weird, sometimes I still see myself as just starting out. I tend to forget how much I've been doing, but in the beginning it is about the hustle, being out there and doing the work. Nothing is going to come to you, you have to get out there and do the work, and I've been doing that. But sometimes it's good to take a break and let these things air out. Reflect and take it in.
Who would have thought that [director] Cameron Crowe had a movie as bad as Vanilla Sky in him? It's a punishing picture, a betrayal of everything that Crowe has proved he knows how to do right.
My teachers believe that the creative producer's job is to service the vision of the director, to stay within schedule and budget, and to get the studio what they need, but you work for the director to get their vision on the screen. That's not how everyone approaches producing, but it is certainly how directors like you to approach producing. How I was brought up is that my job is to help you make the movie you want to make.
How to make a scary movie human, take a movie like Sinister. How can I make that guy so real so that the scary elements of it are more scary and it functions as a genre movie - as the way it's supposed to, you want to hear a ghost story at midnight, that's a good one - but how do you fill it up with humanity inside, in staying true to the genre? You know? Does that make sense?
Incidentally, part of a photographer’s gift should be with people. You can do some wonderful work if you know how to make people understand what you’re doing and feel all right about it, and you can do terrible work if you put them on the defense, which they all are at the beginning. You’ve got to take them off their defensive attitude and make them participate.
It's funny: as a director, there are movies you make because you're passionate about getting your vision across, and you know that you're vision is different than anybody else. In those cases, you take the plunge, and it works, or it doesn't. You make the stylistic choices based on how you feel about the material.
You got to work hard whatever you're doing and try to be number one and take pride in what you're doing. You want to be at the best at your spot then you got to work hard, man. A lot of guys don't work as hard as it gonna take.
I spend a lot of nights thinking
How did I make it this far?
I spend money every chance I get
Cause god damn I work hard.
Put here to take care of he family
But how was I supposed to know
If I don't take care of myself
Then how am I supposed to grow?
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
You can never take those you love for granted, and you have to be willing to be open and really communicate with one another to make any relationship work. And that's just it: relationships take work, and they take compromise and compassion and understanding.
Dear Father, take this days life into Thine own keeping. Control all my thoughts and feelings. Direct all my energies. Instruct my mind. Sustain my will. Take my hands and make them skilful to serve Thee. Take my feet and make them swift to do Thy bidding. Take my eyes and keep them fixed upon Thine everlasting beauty. Take my mouth and make it eloquent in testimony to Thy love. Make this day a day of obedience, a day of spiritual joy and peace. Make this days work a little part of the work of the Kingdom of my Lord Christ, in whose name these my prayers are said. Amen.
When you take on the idea of playing someone like Jimmy Bulger, it's a radically different process because you're going into make-up. The only way you can do it is to come out of make-up looking like the guy. If you don't look like the guy, it's going to bug you, all day.
I'm a strong believer that you have to have an equal opportunity to fail and to try things that are hard. I always tell my students, "Don't just take things that are easy for you. If you're really good at math, don't take just math. Take classes that make you write. If you're a really great writer, but bad at math, take math and make yourself work your way through it."
There is a director for a reason, because a director knows what's best for the movie. You just give your director as much as you can to work with, and hopefully, the decisions they make are going to be great.
I was a bartender in New York and I overheard this girl saying she made $3000 doing a commercial. A kid at work told me, 'Hey, I know this director and he'd really like you!'. So I walked into this guy's office and was like 'I was thinking maybe I could make $3000' and he hired me for commercials, short films, like 15 jobs in a row.
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