A Quote by J Balvin
We want to change to point of view about Latinos in the world and Colombians. Forget about the bad past.
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If something is in my mind, I can easily forget everything else and maybe forget about other people. I'm trying to change it's not that I'm that bad. I want people to want to work with me.
The last thing you want to do is preach to the converted. What you want to do is talk about issues from a non-political point of view, from a human point of view.
Latinos that are in the industry writing and producing, they can't be afraid to go out there and say, 'I want my lead to be Latino. And I want to talk about this, I wanna write about that.' And Latinos as a whole, as a people in America, need to go out and support.
There is no need for the Russian state to hold such large stakes and we do intend to put our plans into practice. It is not about whether we want it or not, it is about this being practical or not and the best timing. In general, it is practical from at least one point of view - from the point of view of structural changes in the economy.
Everybody you work with sees what you're doing from a different point of view, a very specific point of view. So, if someone is lighting, they're seeing it from that point of view. A production designer is seeing it from the placement of furniture that tells you about the character. Everything that goes into the room should tell you about the person who lives in that room.
[T]he more clamour we make about 'the women's point of view', the more we rub it into people that the women's point of view is different, and frankly I do not think it is -- at least in my job. The line I always want to take is, that there is the 'point of view' of the reasonably enlightened human brain, and that this is the aspect of the matter which I am best fitted to uphold.
You take something from your past that you're somewhat ashamed about and you write about it from another character's point of view.
I want to change the perception about Latinos worldwide. I think people don't know yet how cool we are.
In the point of view of my personal feelings, I love the music as well as the cinema, but the future of a trumpet player - in the money point of view, but also any point of view - is very short on expectations. The life of a moviemaker can be glorious and wonderful. It can put your life in the best of possibilities. I decided to forget music. Not forget, because this is impossible, but to work in cinema, and just to be someone who loves music, and who tries to make music with his films.
I'm called a folk singer, and I'm not too sure about that. I went about my life approaching music not from the point of view of a singer, but from the point of view of an actor. That's how I first started to sing.
My point of view, and more importantly, the president's point of view, is that the story is not about me or a debate with news outlets. The story is about the plans of the administration and what we're trying to project to the American people.
I am highly variable in my devotion. From a doctrinal point of view or a dogmatic point of view or a strictly Catholic adherent point of view, I'm first to say that I talk a good game, but I don't know how good I am about it in practice.
I'm not trying to say I accomplished nothing, I'm just trying to say that at this point in my life, I don't want to look at what I've accomplished and hold it like it's my trophy. I've got so much more to do; I don't want to put that gold medal around my neck yet. When I accomplish ten times what I've accomplished already, I'll start thinking about that. But a better way to put it is I kind of forget about it. I do it and I forget about it. And I just work.
When you step in to act, you just zoom way in on the longest possible lens and you're just totally in the point of view of your character and you have to forget about everyone else. You don't care about what anybody else is, what they want or what they're trying to do. You're just concerned with your circumstances, what you're trying to get out of someone or some scene.
If you want the film [La La Land ] to represent all things jazz, it does not. You'll be disappointed by that. But, if you just see it as one guy's point of view, one filmmaker's point of view, and one story among many stories that can be told about jazz, then it's not as much of an issue.
Let's forget about themes and mood boards. Let's start from a different point of view. You have to leave for two months all of a sudden. What would you put in your suitcase? What are the twenty essential pieces that you will need and how would you design it to be cool, and you'll want to wear it?
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