A Quote by J Balvin

To tell you the truth, I used an Instagram filter called Ginza to share a snippet of the song - I simply left the name in the caption in case anyone wanted to use the same filter. But everyone started calling the song 'Ginza.'
Video is just exploding on Instagram - motion is the new filter. We're going to help people use visuals to tell their stories.
The thing with newspapers is that they are a filter. We're relying on the editors of that paper to be a filter and to tell you that this is worth reading about, this is quality, and this is quite reliable.
We're not going the photography route. I think there is a real distinction between photos and images, and Flickr is for photos, and Instagram is for photos. You wouldn't put a filter on a meme; you'd put a filter on top of a photo that came from your camera.
My job is to work at song writing and singing and telling the truth in song writing. My job is to be courageous enough to go on stage and tell the truth, the same truth that's gone into my song writing.
Everyone has their own experiences with song. It means one thing to me and it means something entirely different to somebody else. I have a song called 'Apple Cherry' which is a song about unrequited love and to this couple in London, they fell in love to this song. The girl in the relationship called me and said she wanted to propose to her girlfriend could you sing 'Apple Cherry' while I do it? I was like 'Really? That's not a love song about getting together'.
When I sit down to write a song, there is no filter. I'm not trying to write for anyone or anything specifically. It's just trying to capture a little piece of your soul - even if it's a really ugly part.
The maps are really like a filter. They filter information for you to make better decisions on where you are going and what to do.
You don't filter smokestacks or water. Instead, you put the filter in your head and design the problem out of existence.
'Frayed Ends Of Sanity' off the 'Justice' album is a song that I really wanted to play with the band, and for years and years, I was always like, 'Let's play this song!' But I'll tell you something: I started working on that song almost from the very first time I joined the band.
We do not experience things as they really are! We experience things only through a filter and that filter determines what information will enter our awareness and what will be rejected. If we change the filter (our belief system), then we automatically experience the world in a completely different way.
Modernity is a desert, and we are jungle monkeys. And so new evolutionary selective pressures are coming to bear upon the human situation, new ideas are coming to the fore. Psilocybin is a selective filter for this. The wish to go to space is a selective filter for this. Just the wish to know your own mind is a selective filter for this.
Between my brain and my mouth there should be a filter where common sense kicks in before I deliver a word, but I think when God made me he forgot the filter.
My son's full real name is Duncan Zowie Haywood. As a toddler he was called by his second name Zowie. But it was such an identifiable name during the Seventies that if I called him loudly in public places, everyone would turn to stare, so I started calling him Joey to take the pressure off. It has the same sound and number of syllables as Zowie. And Joe stuck for most of his childhood. Now he has reverted to his real name, Duncan. Haywood was my father's name.
I sang my song called "In This Song." David Foster wrote the song for me. I thought that I should sing a ballad song.
Ginza! Where I've done two Chanel towers and Louis Vuitton and Dior stores. I just feel at home there.
My son's full real name is Duncan Zowie Haywood. As a toddler, he was called by his second name Zowie. But it was such an identifiable name during the Seventies that if I called him loudly in public places, everyone would turn to stare, so I started calling him Joey to take the pressure off.
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