A Quote by J. C. Ryle
If I never spoke of hell, I should think I had kept back something that was profitable, and should look on myself as an accomplice of the devil.
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God doesn't send His children to Hell either. It's just the Devil's children that God sends to Hell. Why should God look after the Devil's children.
Therefore, I do not think we should go only 60 years back but should look deeper, centuries back. Maybe this will give us [Russia and Japan] an opportunity to look at the future from a more remote perspective.
In all my life I'd never been approached this way, the car pulling up, the Where you going? It was something I wish had happened hundreds of times. I was a looker - someone who looked over at every car at every traffic light, hoping something would happen, and almost never finding anyone looking back - always everyone looking forwards, and every time I felt stupid. Why should people look at you? Why should they care?
A lot of times, you design a logo to be timeless, but with something like the Olympics, timelessness is maybe not something you should be going for. Maybe you should be trying to come up with something that will really become associated with a moment in time, a few weeks, that happened, period. Then you look back, think about it and connect it with that time. It may look dated later but it will be still be evocative.
When I announced on my Facebook page that I'm coming to Israel, people started telling me that I shouldn't go there, but I figured that if I'm not going to come here, then I guess I can't go back to the United States anymore and I can never go to Russia again and I should probably never go back to Germany and I should probably never go back to France and I should probably never go back to England....All I see here is a really beautiful city.
If I had known, do you think I should have let her get away with this mad plan? That I should have let her rob me of my child? No, I should have taken you myself and hidden with you in some far-off land and never seen her again rather than agree to such an unnatural scheme
Large or small, [the garden] should be orderly and rich. It should be well fenced from the outside world. It should by no means imitate either the willfulness or the wildness of nature, but should look like a thing never to be seen except near the house. It should, in fact, look like part of the house.
I'm just remembering myself at 22 or 23. I was all engine and no steering. (Laughter) I had the wheels but I had no steering. I do think it's true that when you're younger, you're more likely to listen to all the naysayers, and people are always telling you how you ought to behave and what kind of job you should get and how you should look.
You should make something. You should bring something into the world that wasn't in the world before. It doesn't matter what it is. It doesn't matter if it's a table or a film or gardening-everyone should create. You should do something, then sit back and say, 'I did that.'
I think the devil will not have me damned, lest the oil that's in me should set hell on fire.
We are all the time, from our childhood, trying to lay the blame upon something outside ourselves. We are always standing up to set right other people, and not ourselves. If we are miserable, we say, "Oh, the world is a devil's world." We curse others and say, "What infatuated fools!" But why should we be in such a world, if we really are so good? If this is a devil's world, we must be devils also; why else should we be here? "Oh, the people of the world are so selfish!" True enough; but why should we be found in that company, if we be better? Just think of that.
Well, I think if somebody says something that I don't agree with, I don't think that I should bite my tongue. I don't think anyone should bite their tongue. And if I have said over and over I don't like something and it's constantly being done or I'm being disrespected, then you've got hell to pay.
For a moment there I convinced myself I had my back against a wall, and suddenly the only wall I find my back against is that of a 10 by 10 writing shack in Glendale, where the summer days average between 90 and 100 and each song can be quantified in the sweat it took to write it. There is no ac in hell, and sometimes you've got to get down to get up. The train is gaining speed I should think.
Awards are not something that I measure my work by. I've been so fortunate and I've gotten to do such terrific things that it seems petty to look back and say, 'Oh, I should have gotten that prize.' I've been so blessed, it's hard to look back and think anything but that, so I have no disappointments.
I wanted to play running back, but they would never put me at running back. I started loving receiver and as I kept growing older, we kept throwing the ball more and I kept liking it more and more. It's something I've played all my life. It's something I've gotten better at each year.
I don't think all films should necessarily look like they do on digital video. I think it cheats the audience, at some point. If you try to make an epic and you shoot it digitally, that doesn't make much sense. I think there's a certain kind of film that could be a "digital film." But it shouldn't be interchangeable with other films. It should be something more than just a capture medium. It should be a different form altogether, something new.
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