A Quote by J. Carter Brown

The Washingtonian said it shouldn't be built. The gallery's East Building is now considered a triumph, and members of the American Association of Architects have voted it one of the best buildings of all time.
Conversion requires a subtler mind. Architects don't like it, architects want to create their own landmark buildings so that people a few years hence will say, 'Oh, that building there is being knocked down, who did that one?'
Great architects like Taut, Mendelsohn, and Gropius built some astonishing buildings which were to change the way architects around the world thought. Brecht and Weill forever changed musical theatre; Kaethe Kollwitz and others changed German perceptions of the purposes of art.
For me, architects and film directors operate similarly. They are practical. As an architect, you know what you want in the conception of a space - but you still need a lot of people to help you out. You need an engineer, interior architects. But a film is the same - you have all these elements. But in terms of concept, it's always about time. When you approach a building, you need time to go from point A to B. Buildings are designed as a journey and films are the same, you have an opening that you come through, an angle you follow, maybe a disruption in space.
We shouldn't just look at new buildings but at existing stock building because that's an even greater problem than the new buildings being built. The renovation of existing buildings and making them green is just as important as designing new green buildings.
Building a baseball team is like building a house. You look for the best architects, the best builders - and then you let them do their jobs.
Here in Barcelona, it's the architects who built the buildings that made the city iconic who are the objects of admiration - not a bunch of half-witted monarchs.
I remember I went to Berlin right after the Wall came down. I first went to East Berlin, and all the buildings were old and falling down, and now when you go back to Berlin, you know you're in the East because all the buildings are brand new and very tall.
Cities are about juxtaposition. In Florence, classical buildings sit against medieval buildings. It's that contrast we like. In Bordeaux, we built law courts right next door to what is effectively a listed historic building, and that makes it exciting.
We didn't push it down people's throats...One turned into three in a short period of time. I built the first one and...one day someone walked in and said "You know, I really like the design on this. Who built that?" I said "I did." He goes "Well, would you be interested in building me one?" I went "Yeah, I'll do that."
François Mitterrand was a student of architecture, he had done a lot of research before he called me. He said, "You did something special at the National Gallery of Art in Washington - you brought the new and the old together." But John Russell Pope finished the West Building in 1941, so when the East Building opened it was only about 40 years old. But the Louvre is 800 years old! A much bigger design challenge.
I got into an argument with someone because I said I think 2Pac will be regarded as a great poet. They said he was just a punk gangster. People said the same thing about Francois Villon, and he's now considered the best French Romantic poet of all time.
I discovered myself in the back-and-forth and in the hyphenated Arab-American way, and one of the things that I discovered was that I really didn't fit in anywhere. So in the US, I was considered an Arab - because I grew up in small-town Ohio - and in the Middle East, I was considered the American.
Some of my best friends are architects. And they definitely do have ears. But I think sometimes they don't use them when they're designing buildings.
The daily disappearance and the subsequent rise of the sun appeared to many of the ancients as a true resurrection; thus, while the east came to be regarded as the source of light and warmth, happiness and glory, the west was associated with darkness and chill, decay and death. This led to the custom of burying the dead so as to face the east when they rose again, and of building temples and shrines with an opening toward the east. To effect this, Vitruvius, two thousand years ago, gave precise rules, which are still followed by Christian architects.
True leaders don't invest in buildings. Jesus never built a building. They invest in people. Why? Because success without a successor is failure. So your legacy should not be in buildings, programs, or projects; your legacy must be in people.
I think that it's important that the American people know that Barack Obama didn't have a mild association with Bill Ayers, he had a very strong association with Bill Ayers. Bill Ayers is not someone that the average American wants to see their president have an association with.
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