A Quote by J. D. Hayworth
Chavez made a compete fool of himself in front of the entire world while giving the U.N. a black eye. But the real losers are the Venezuelan people who have to put up with this unstable character every day.
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It was Venezuelan strongman Hugo Chavez who benefited most from the World Social Forum's enthusiasms.
Suppose... suppose we have only dreamed and made up these things like sun, sky, stars, and moon, and Aslan himself. In that case, it seems to me that the made-up things are a good deal better than the real ones. And if this black pits of a kingdom is the best you can make, then it's a poor world. And we four can make a dream world to lick your real one hollow.
Really, every day is the perfect day to boss up. Every day that you wake up is a perfect day to boss up. It's all about continuing to put one foot in front of the next. That's what it's about. Whatever you think you're going through, just put one foot in front of the next.
All of the films that I've made are about the country I live in and grew up in... And I think if you're going to put an artist's eye to it, you're going to put a critical eye to it. I've always been interested in the gray area that exists between the black and white, or the red and blue, and that's where complexity lies.
Every day the eye is subject to a thousand tiny shocks as a thousand industries compete for the eye-kick, the visual hook that will lock the consumer into product for that crucial second where the tiny - or not so tiny - leap of the imagination is made.
I realize how myself and other people have started to almost fool ourselves that it's more important to us and more real than the real world, the offline world, and we value looking at our phone and pixels on a screen more than connecting eye to eye with a human being, which is terrifying to me because we're becoming robots.
The Venezuelan people will never abandon the ideals President Chavez gave us. Modestly, we contribute to ensure the stability of the region.
I understand we love to talk about black girl magic, but sometimes that is a term that allows people to put us in this character like we're not real people that feel real things.
What a thing, Europe. Europe! The cultured Europe! We are the barbarians, the Indians, the blacks, the southerners. How cynical is Europe. Chavez the tyrant! Chavez the strongman! Chavez, who wants to stay forever. While there, they have kings, my friend!
The flimsy little protestations that mark the front gate of every novel, the solemn statements that any resemblance to real persons living or dead is entirely coincidental, are fraudulent every time. A writer has no other material to make his people from than the people of his experience ... The only thing the writer can do is to recombine parts, suppress some characterisitics and emphasize others, put two or three people into one fictional character, and pray the real-life prototypes won't sue.
Tupac gave us validity. Tupac made the kid getting beat up every day realize that it was okay to be smart. Tupac made the knucklehead realize that it was okay to stay home and read a book. A fool at 40, a fool forever.
Jay Lethal doing that Black Machsimo character, as good as that was, it was fantastic and so entertaining. But now Jay Lethal has turned himself into this very formidable, dominant world champion, who is having some of the best matches in the entire world. So it's really cool.
Han made no effort to put up a brave front. Most of the time he just screamed himself hoarse, though a couple of times he amused himself by screaming Fionas's name as if he were in the throes of passion. FEEE-OHHH-NAAA! Lord Bayar made him pay for that, but afterward, Fiona didn't come down anymore, which Han appreciated.
If you make a fool of yourself in front of a cat, he will sneer at you, if you are sober; he will leave the room if you are drunk. If you make a fool of yourself in front a dog, he will make a fool of himself, too.
If you do a black character or a female character or an Asian character, then they aren't just that character. They represent that race or that sex, and they can't be interesting because everything they do has to represent an entire block of people. You know, Superman isn't all white people and neither is Lex Luthor. We knew we had to present a range of characters within each ethnic group, which means that we couldn't do just one book. We had to do a series of books and we had to present a view of the world that's wider than the world we've seen before.
Every day I've got to get up and make a decision. I have an opportunity every day to affect young men and the coaches that are around me, the entire organization and the entire community.
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