A Quote by J. D. Salinger

I used to think she was quite intelligent , in my stupidity. The reason I did was because she knew quite a lot about the theater and plays and literature and all that stuff. If somebody knows quite a lot about all those things, it takes you quite a while to find out whether they're really stupid or not.
What I don't like about Guinevere is the fact that she can't control her passions and urges. She gets herself into quite a love triangle, and quite a web. Personally, I find that very difficult to relate to. But, it wouldn't be interesting, if she did everything right.
My younger daughter really loves makeup. She's quite good artistically. I could see her going into something possibly behind the camera - whether it's in film or still camera for editorial stuff - but she's very taken with makeup, and she's really quite talented for as young as she is.
The music you play, it's never intended for other people, so it's quite amazing dealing with stuff now, because obviously any tracks I write, a lot of folks are going to hear. It definitely plays on my mind quite a lot.
While I'm quite happy and love doing the atmospheric and quirky stuff, the melodic stuff, I've done quite a lot of. It's also another reason why I try not to do two or three at the same time.
'Gloria' is a film about a fifty eight-year-old woman who is quite alone in life; however, she is quite optimistic. Nobody has much time for her, and so she regularly goes to these single adults' parties where she is looking for someone. By the end of the film, she doesn't necessarily find love, but she does find something else.
The Girl With Many Eyes One day in the park I had quite a surprise. I met a girl who had many eyes. She was really quite pretty (and also quite shocking!) and I noticed she had a mouth, so we ended up talking. We talked about flowers, and her poetry classes, and the problems she'd have if she ever wore glasses. It's great to know a girl who has so many eyes, but you really get wet when she breaks down and cries.
Quite often, while I'm getting up in the morning, I think my warranty is running out on these body parts because it's not working quite the way it used to.
It made it feel impossible, quite honestly, because filming - you film come rain, come shine, come whatever. And it did rain a lot. And of course, that's what she must have gone through. Of course it rained; of course it was cold... But, you know, it really was quite hard to be out there in the rain.
She's quite intelligent, in my stupidity.
I do also think it eludes genre a bit - not in any groundbreaking way but you can't quite call it a comedy and you can't quite call it a romantic anything. It's not quite a drama either really. But it has elements of all those things.
I'm quite content with who I am and what I do. You might get someone in your local Tesco who might know who you are. But not really. To think you couldn't do those simple things, I'd say I'd probably crave them quite a lot.
Quite, quite,' she thought with a little sigh. 'It's always like this in their adventures. To save and be saved. I wish somebody would write a story sometime about the people who warm up the heroes afterward.
I understand, certain scenes have to have a lot of takes. As an actor, I think it's quite nice to have a handful of takes, because you don't want to do it once or twice; I think once or twice sometimes is quite terrifying because you don't really feel like you've given them what you want.
There's really quite a beautiful marriage between Milady's ingenuity and D'Artagnan's immaturity. When they first meet, she's trying to frame him. She's using him for a certain reason. They haven't just met by coincidence. She's singled him out for a reason. She knows that she can almost make D'Artagnan do what she wants to, and that's when D'Artagnan's immaturity comes out.
I'm quite contradictory - a bit OCD, but quite untidy. I have piles of stuff everywhere, but they make sense to me. And I'll find the one thing in the room that's my boyfriend's, and complain about him leaving it out.
I'm an English songwriter/composer, working in Mandarin and trying to find something about Chinese culture that I really relate to and respect and feel some genuine emotions for - and it's quite hard, the pentatonic scale, and that, in a way, is why I think it works. Because I'm forced to limit myself to quite strict rules about what I did. Maybe that's how I avoided pastiche.
This site uses cookies to ensure you get the best experience. More info...
Got it!